sarking:

fuckyeahdiomedes:

amooseintransition:

mypatronusisyou:

According to Cassandra Clare, John Green, Holly Black, Sarah Rees Brennan and several other popular YA writers, stating the plain and simple fact that Cassandra Clare is a plagiarist is a “vile” thing to say and makes you a cyber-bully…even though it is an indisputable truth. 

Anyone who criticizes her is condemned as a bully and a liar, meanwhile the endless circle-jerk of writers praising and sucking up to her goes on. Frankly, it’s all a little bit high school. And it’s a lot pathetic. So today I bring you the truth.

The screenshots above are only the tip of the iceberg. Here is the whole account. Make sure you have a few hours to comb through all of this, because it’s lengthy. (It has to be viewed on the wayback machine because she has a tireless regime of having all records of her plagiarism and shady deeds deleted)

A list of authors she’s plagiarized:

  • Pamela Dean
  • Terry Pratchett
  • Bram Stoker
  • Tanith Lee
  • Diana Wyne Jones (there’s also a line in City of Bones that’s uncannily similar to a line from Fire and Hemlock by DWJ)
  • Patricia Wrede and Caroline Stevermer
  • Brian Jacques
  • Elizabeth Marie Pope
  • Douglas Adams
  • Roger Zelazny
  • Neil Gaiman
  • Christopher Stasheff

TV shows she’s plagiarized:

  • Buffy the Vampire Slayer
  • Black Adder
  • Red Dwarf
  • Babylon 5
  • Newsradio
  • Friends
  • Frasier
  • Real Genius
  • Malcolm in the Middle
  • Veronica Mars

Despite the overwhelming proof, all mentions of it have been purged from her wikipedia page. (You can still see it in the talk page though.)

Keep in mind that she was a grown ass 30-something year old BNF when this plagiarism was going on. She was not a young girl who had not yet learned better. According to my research she was a published journalist at the time–not someone who is usually ignorant of copyright law. 

Her fans claim that there is no plagiarism in her published works, but do we know for sure? When you look at the full extent of the plagiarism account on journalfen and see that she pulled quotes and prose from somewhat obscure books that were no longer in print, can you be 100% sure that she doesn’t still “borrow” from other places, and is just better at hiding it now?

The stolen Black Adder line that Draco says in the screenshots above actually sound similar to this quote from City of Bones

© (P.S. ho don’t even try the copyright shit because I am not the one to fuck with, P.P.S. I am not the one)*

“Have you fallen in love with the wrong person yet?’
Jace said, “Unfortunately, Lady of the Haven, my one true love remains myself.”

– City of Bones

It isn’t exactly the same words, but it certainly seems like she stripped it down and changed the structure of the joke but kept the meaning the same so she wouldn’t have to get rid of it. And as we all already know, Jace is clearly supposed to be Draco, just as Clary is Ginny and Simon is Harry.

Even if there wasn’t plagiarism in her published books, she still owes her entire career to the fact that she lied and stole the words that other writers worked hard on and received no recognition for. She has several seven figure book contracts, a movie deal and now a TV show all because she plagiarized better writers.

* Cassandra likes to report people for copyright infringement if they quote passages from her books in order to criticize the problematic parts of them, even if you properly cited her and didn’t violate any copyright laws. * (Those screenshots were from the fallen nastyclare and clarewitchproject blogs r.i.p.) So if my blog disappears after I post this, you know who got me! I can only hope you all will back me up if the time comes. 

Ah Cassie Clare, an internet classic.

I still don’t get how so many good writers are friends with this asshole? Like, Sarah Rees Brennan, you can do so much better.

#i’m always here to drag cassandra clare (via missparker)

juliedillon:

I want to say, Nathan Fowkes’ classes on color, lighting, environment, and composition over on Schoolism.com are pretty goshdarn amazing. His classes (plus a ton of other classes by other wonderful and accomplished artists) are all available to audit for a $144 subscription fee per year (you can watch lectures, but you don’t get the video feedback on your assignments like you would if you paid to attend the full class), which is really quite a steal for what you’re getting. It’s some really good career prep work. I kind of wish I’d had it when I was starting out, but hey, better late than never. I’m hoping if I put the work in, this will help me tighten up some of my problem areas and maybe amp up my skillset and marketability. I’m sure the other classes are great, too, but I highly recommend checking out Nathan Fowkes’ various offerings. 

(oh boy, and later on Terryl Whitlatch’s creature anatomy class might be made available on the subscription plan?? 😀 )

Write every single day.

It’s one of the most common pieces of writing advice and it’s wildly off base. I get it: The idea is to stay on your grind no matter what, don’t get discouraged, don’t slow down even when the muse isn’t cooperating and non-writing life tugs at your sleeve. In this convoluted, simplified version of the truly complex nature of creativity, missing a day is tantamount to giving up, the gateway drug to joining the masses of non-writing slouches.

Nonsense.

Here’s what stops more people from writing than anything else: shame. That creeping, nagging sense of ‘should be,’ ‘should have been,’ and ‘if only I had…’ Shame lives in the body, it clenches our muscles when we sit at the keyboard, takes up valuable mental space with useless, repetitive conversations. Shame, and the resulting paralysis, are what happen when the whole world drills into you that you should be writing every day and you’re not.

Every writer has their rhythm. It seems basic, but clearly it must be said: There is no one way. Finding our path through the complex landscape of craft, process, and different versions of success is a deeply personal, often painful journey. It is a very real example of making the road by walking. Mentors and fellow travelers can point you towards new possibilities, challenge you and expand your imagination, but no one can tell you how to manage your writing process. I’ve been writing steadily since 2009 and I’m still figuring mine out. I probably will be for the rest of my life. It’s a growing, organic, frustrating, inspiring, messy adventure, and it’s all mine.

Two years ago, while I was finishing Half-Resurrection Blues and Shadowshaper, I was also in grad school, editing Long Hidden, working full time on a 911 ambulance, and teaching a group of teenage girls. And those are the things that go easily on paper. I was also being a boyfriend, son, friend, god brother, mentor, and living, breathing, loving, healing human being. None of which can be simply given up because I’d taken on the responsibility of writing.

You can be damn sure I wasn’t writing every day.

On my off days, I’d get up as early as I did when I had to be clock in somewhere. I’d get my ass into the chair by nine or ten and try to knock out my first thousand words by lunch. Some days, I didn’t. Other days, I’d get all two thousand done by eleven AM.
And on other days, I didn’t write a single word. Yes, it’s true. Why? Sometimes, it’s because I was busy being alive. Other times, it’s because the story I was working on simply wasn’t ready to be written yet. As writer1 Nastassian Brandon puts it: “if you’re writing for the sake of writing and not listening to the moments when your mind and body call out for you to take a break, walk away and then return to the drawing board with new eyes, you’re doing yourself a disservice.” And that’s it exactly. I’ve spent many anxious, fidgety hours in front of the blank screen, doing nothing but being mad at myself. Finally I figured out that brainstorming is part of writing too, and it doesn’t thrive when the brain and body are constricted. So I take walks, and in walking, the story flows, the ideas stop cowering in the corners of my mind, shoved to the side by the shame of not writing.

Tied up in this mandate to write every day is the question of who is and isn’t a writer. The same institutions and writing gurus that demand you adhere to a schedule that isn’t yours will insist on delineating what makes a real writer. At my MFA graduation, the speaker informed us that we were all writers now and I just shook my head. We’d been writers, all of us, long before we set foot in those hallowed halls. We’re writers because we write. No MFA, no book contract, no blurb or byline changes that.

So if writing every day is how you keep your rhythm tight, by all means, rock on. If it’s not, then please don’t fall prey to the chorus of “should bes” and “If onlys.” Particularly for writers who aren’t straight, cis, able-bodied, white men, shame and the sense that we don’t belong, don’t deserve to sit at this table, have our voices heard, can permeate the process. Nothing will hinder a writer more than this. Anaïs Nin called shame the lie someone told you about yourself. Don’t let a lie jack up your flow.

We read a lot about different writers’ eccentric processes – but what about those crucial moments before we put pen to paper? For me, writing always begins with self-forgiveness. I don’t sit down and rush headlong into the blank page. I make coffee. I put on a song I like. I drink the coffee, listen to the song. I don’t write. Beginning with forgiveness revolutionizes the writing process, returns it being to a journey of creativity rather than an exercise in self-flagellation. I forgive myself for not sitting down to write sooner, for taking yesterday off, for living my life. That shame? I release it. My body unclenches; a new lightness takes over once that burden has floated off. There is room, now, for story, idea, life.

I put my hands on the keyboard and begin.

Why the MCU missed the boat when it came to marketing Hawkeye…

kieranstrange:

Much like many other Hawkeye fans, with each and every new Marvel movie that is released, we hold our breath and hope that our favourite bandaged, broken badass will actually be allowed to come out of his shell and be, well, HAWKEYE.

He’s gotten a lot of flack as a character, usually due to his stiff, stoic, far-too-serious portrayal in the Marvel Cinematic Universe. But I came up with ten reasons why Marvel and Disney REALLY missed the boat when it came to marketing Hawkeye, and why he could’ve been just as popular and well-loved a character as Iron Man, Captain America, Thor, and all of the other characters that are branded as the “real Avengers”, whilst poor Hawkeye and Black Widow are typically removed from merch and ignored by the marketing department.

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01: HE’S A DISABLED SUPERHERO.
The first thing that really interested me about Hawkeye, and the thing which upset me the MOST when it wasn’t included in the MCU, is the fact that Clint Barton is almost COMPLETELY DEAF in both ears. In Earth-616, he’s been deafened several times over, having it surgically fixed on one occasion and having special hearing aids constructed by Tony Stark on another. It baffles me why Marvel and Disney wouldn’t want to promote a deaf superhero to children who may also share the same disability and would take great solace and comfort in seeing a badass superhero with the same affliction as them. Here’s to hoping Clint comes too close to a violent explosion in Civil War

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02: HE’S HUMAN.
My second favourite thing about Clint Barton as a character in a setting such as the Avengers team is the fact that he is absolutely, unapologetically, unashamedly, 100% HUMAN. There is nothing enhanced or supernatural or magical about him, he doesn’t rely on a high-tech exoskeleton or technologically advanced suit – he’s just a normal dude who happens to be able to keep pace with superhumans, legends, and gods due to his incredible archery ability. And not just keep pace – unlike in the movies, in the comics Clint is an essential and critical member of the team, despite the fact that he’s not in any way special. If that’s not inspiring to the everyday person who feels like they can’t accomplish anything compared to their friends, I don’t know what is.

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03: ARCHERY IS REALLY, REALLY HOT RIGHT NOW.
The Hunger Games, Arrow, Game of Thrones, The Walking Dead, Tomb Raider – archers are sexy, and pop culture is LOVING them. I never really understood why Marvel chose not to push their own badass bow-slinger given the reception received by DC Comics’ Oliver Queen and District 12’s Katniss Everdeen.

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04: HE’S AN ABSOLUTE SCREW-UP.
The hardest thing to get through to people who have no idea who Clint Barton is beyond Renner’s reluctant, rigid acting is that Hawkeye is NOT a character who stands on a rooftop as a silent, deadly badass, shooting off arrow after arrow with a stoic face behind his sunglasses. Hawkeye is the most self-sabotaging, hapless, ridiculous, damaged, broken fuck-up, who spouts cocky one-liners and does his best to make it through life in one piece. Who can’t relate to a character like that?

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05: HIS NEWEST COMICS HAVE GARNERED A LOT OF ATTENTION.
Matt Fraction’s work writing for Hawkeye, particularly in alliance with David Aja’s artwork (which captured and reflected Clint’s personality PERFECTLY), has really put the kooky superhero on the map as one of Marvel’s best. Don’t believe me? Go buy Hawkeye: My Life As A Weapon, read it, and get back to me!

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06: HE RESPECTS HIS TEAMMATES, REGARDLESS OF GENDER.
In the world of Marvel comics, Hawkeye rises to the task of training, coaching, and sometimes even acting as a personal therapist towards many of the new recruits to the Avengers. He’s a staunch supporter of Captain America, and would follow him to the ends of the earth. But one of the best relationships Clint has is with his sidekick Kate Bishop, whom he worships and respects for her skill despite the fact that she’s much younger and much less experienced than he is. I am praying that the Russo Brothers give Clint a bit of a mentor role with the newbies in Civil War and touch more on what we saw between him and Wanda Maximoff at the climax of Age of Ultron.

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07: HE’S BEEN INVOLVED IN ACTIVISM FOR WOMEN’S RIGHTS… KINDA!
If you’re a comic book fan who believes in equality between the sexes, and you’ve never heard of The Hawkeye Initiative, you need to check this shit out RIGHT NOW! In order to combat sexism in the way female superheroes are drawn and portrayed, artists across the Internet have been redrawing the ridiculous poses women are often drawn in (usually a butt-shot), but replacing the heroine with Hawkeye instead. This has given Hawkeye more of a reach than people think, as most Internet-goers who know their memes will have heard of him before even if they aren’t an Avengers fan.

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08: HIS MOUTH.
Hawkeye is one of the mouthiest Marvel characters (Deadpool aside, obviously), but I suppose it’s hard to find time for the side characters to act as they normally would when all of the funny moments, comic relief, and good witty one-liners are given to The Only Four Avengers Disney’s Marketing Department Thinks People Are Capable Of Caring About. Blah.

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09: HE HAS THE BEST SIDEKICK EVER.
If you don’t know who Kate Bishop is and you like strong, independent, badass female superheroes, you’ve been missing out and a Google search or a trip to the comic book store is very much in order. Kate spends most of her time (when she’s not helping run the Young Avengers) running after Clint, telling him to stop being a screw up, saving him from various bad guys, and assisting him more like a PARTNER than a sidekick. He even let her keep his name, figuring she was badass enough that she’d earned it – you gotta love a guy without an ego complex! I’m still hoping Kate Bishop will eventually show up in the MCU… and that she isn’t destroyed in the same way Clint was.

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10: WE’VE ALL BEEN CLINT BARTON BEFORE.
While a lot of us can empathize with Tony Stark’s self-destructive tendencies, or Bruce Banner’s anxiety and rage issues, I firmly believe that Hawkeye is the type of character who, if given a proper and equal shot at the silver screen, could capture the hearts of children and adults everywhere for one simple reason: we’ve all been Clint Barton before. We’ve all been a self-sabotaging, hapless, ridiculous, damaged, broken fuck-up at some point in our lives, and this charming, sweet, cinnamon roll of a character is exactly what we need to remind ourselves that while we aren’t in any way perfect, while we are flawed and broken and are struggling to get through life, that’s okay. Because even without superpowers, you still matter. You’re still important. You’re still a superhero!

kyraneko:

fortheloveofplaid:

the most implausible thing about superhero movies is that these guys make their own suits, like seriously those toxic chemicals did NOT give you the ability to sew stretch knits, do you even own a serger

I feel like there’s this little secret place in the middle of some seedy New York business neighborhood, back room, doesn’t even have a sign on the door, but within three days of using their powers in public or starting a pattern of vigilanteism, every budding superhero or supervillain gets discreetly handed a scrap of paper with that address written on it.

Inside there’s this little tea table with three chairs, woodstove, minifridge, work table, sewing machines, bolts and bolts of stretch fabrics and maybe some kevlar, and two middle-aged women with matching wedding rings and sketchbooks.

And they invite you to sit down, and give you tea and cookies, and start making sketches of what you want your costume to look like, and you get measured, and told to come back in a week, and there’s your costume, waiting for you.

The first one is free. They tell you the price of subsequent ones, and it’s based on what you can afford. You have no idea how they found out about your financial situation. You try it on, and it fits perfectly, and you have no idea how they managed that without measuring you a whole lot more thoroughly than they did.

They ask you to pose for a picture with them. For their album, they say. The camera is old, big, the sort film camera artists hunt down at antique stores and pay thousands for, and they come pose on either side of you and one of them clicks the camera remotely by way of one of those squeeze-things on a cable that you’ve seen depicted from olden times. That one (the tall one, you think, though she isn’t really, thin and reminiscent of a Greek marble statue) pulls the glass plate from the camera and scurries off to the basement, while the other one (shorter, round, all smiles, her shiny black hair pulled up into a bun) brings out a photo album to show you their work.

Inside it is … everyone. Superheroes. Supervillains. Household names and people you don’t recognize. She flips through pages at random, telling you little bits about the guy in the purple spangly costume, the lady in red and black, the mysterious cloaked figure whose mask reveals one eye. As she pages back, the costumes start looking really convincingly retro, and her descriptions start having references to the Space Race, the Depression, the Great War.

The other lady comes up, holding your picture. You’re sort of surprised to find it’s in color, and then you realize all the others were, too, even the earliest ones. There you are, and you look like a superhero. You look down at yourself, and feel like a superhero. You stand up straighter, and the costume suddenly fits a tiny bit better, and they both smile proudly.

*

The next time you come in, it’s because the person who’s probably going to be your nemesis has shredded your costume. You bring the agreed-upon price, and you bake cupcakes to share with them. There’s a third woman there, and you don’t recognize her, but the way she moves is familiar somehow, and the air seems to sparkle around her, on the edge of frost or the edge of flame. She’s carrying a wrapped brown paper package in her arms, and she smiles at you and moves to depart. You offer her a cupcake for the road.

The two seamstresses go into transports of delight over the cupcakes. You drink tea, and eat cookies and a piece of a pie someone brought around yesterday. They examine your costume and suggest a layer of kevlar around the shoulders and torso, since you’re facing off with someone who uses claws.

They ask you how the costume has worked, contemplate small design changes, make sketches. They tell you a story about their second wedding that has you falling off the chair in tears, laughing so hard your stomach hurts. They were married in 1906, they say, twice. They took turns being the man. They joke about how two one-ring ceremonies make one two-ring ceremony, and figure that they each had one wedding because it only counted when they were the bride. 

They point you at three pictures on the wall. A short round man with an impressive beard grins next to a taller, white-gowned goddess; a thin man in top hat and tails looks adoringly down at a round and beaming bride; two women, in their wedding dresses, clasp each other close and smile dazzlingly at the camera. The other two pictures show the sanctuaries of different churches; this one was clearly taken in this room.

There’s a card next to what’s left of the pie. Elaborate silver curlicues on white, and it originally said “Happy 10th Anniversary,” only someone has taken a Sharpie and shoehorned in an extra 1, so it says “Happy 110th.” The tall one follows your gaze, tells you, morning wedding and evening wedding, same day. She picks up the card and sets it upright; you can see the name signed inside: Magneto.

You notice that scattered on their paperwork desk are many more envelopes and cards, and are glad you decided to bring the cupcakes.

*

When you pick up your costume the next time, it’s wrapped up in paper and string. You don’t need to try it on; there’s no way it won’t be perfect. You drink tea, eat candies like your grandmother used to make when you were small, talk about your nights out superheroing and your nemesis and your calculus homework and how today’s economy compares with the later years of the Depression.

When you leave, you meet a man in the alleyway. He’s big, and he radiates danger, but his eyes shift from you to the package in your arms, and he nods slightly and moves past you. You’re not the slightest bit surprised when he goes into the same door you came out of.

*

The next time you visit, there’s nothing wrong with your costume but you think it might be wise to have a spare. And also, you want to thank them for the kevlar. You bring artisan sodas, the kind you buy in glass bottles, and they give you stir fry, cooked on the wood-burning stove in a wok that looks a century old.

There’s no way they could possibly know that your day job cut your hours, but they give you a discount that suits you perfectly. Halfway through dinner, a cinderblock of a man comes in the door, and the shorter lady brings up an antique-looking bottle of liquor to pour into his tea. You catch a whiff and it makes your eyes water. The tall one sees your face, and grins, and says, Prohibition. 

You’re not sure whether the liquor is that old, or whether they’ve got a still down in the basement with their photography darkroom. Either seems completely plausible. The four of you have a rousing conversation about the merits of various beverages over dinner, and then you leave him to do business with the seamstresses.

*

It’s almost a year later, and you’re on your fifth costume, when you see the gangly teenager chase off a trio of would-be purse-snatchers with a grace of movement that can only be called superhuman.

You take pen and paper from one of your multitude of convenient hidden pockets, and scribble down an address. With your own power and the advantage of practice, it’s easy to catch up with her, and the work of an instant to slip the paper into her hand.

*

A week or so later, you’re drinking tea and comparing Supreme Court Justices past and present when she comes into the shop, and her brow furrows a bit, like she remembers you but can’t figure out from where. The ladies welcome her, and you push the tray of cookies towards her and head out the door.

In the alleyway you meet that same giant menacing man you’ve seen once before. He’s got a bouquet of flowers in one hand, the banner saying Happy Anniversary, and a brown paper bag in the other.

You nod to him, and he offers you a cupcake.

minim-calibre:

last-snowfall:

everythingsbetterwithbisexuals:

darthstitch:

ninemoons42:

yourethehellisbucky:

verysharpteeth:

appolsaucy:

chickletgirl:

wintersoldeirs:

Before we get started, does anyone wanna get out?

I’m pretty sure my reaction to this scene was significantly more sexual than the filmmakers intended it to be.

  

AND ALSO HOW INCREDIBLY INTELLIGENT AND PERCEPTIVE HE IS TO NOTICE AND ASSESS THE DANGER AHEAD OF TIME

ugh my feels for steve rogers

Because he’s so sweet and just GOOD, we forget how ridiculously dangerous Steve actually is. We all ooh and aah over the Winter Soldier and Bucky being a weapon, but he and Steve are essentially the same. The Winter Soldier is nothing but the negative image of Captain America. Steve has EVERY BIT of the capacity to do what Bucky does if not more, he just has the free agency to decide how to use it. And that’s terrifying.

the awesome thing about steve is not his strength, its how he uses it.

It’s not just his strength he uses to such awesome effect. He combines the strength with a hell of a lot of insight and everything he knows about tactics and strategy. Small locked-up spaces? Only got one hand to fight and defend himself with? These guys are his friends or that’s what he thought? Yeah, okay. His mind takes all of that in and processes and then he’s off to the races.

Fuck yeah Steve Rogers.

Amen

I will never stop reminding people that this is the same guy who brought books on military history and defense with him to boot camp. He may not have been able to fight when he came there, but he was reading everything he could about strategy and fighting long before he became Captain America.

Well, to be accurate the Winter Soldier is fucking terrifying because we just saw this scene, wherein Steve was busily being terrifying sex on legs (which, nah man, I never forget)….and then is on pure defensive and still barely holding his own with the Soldier a few minutes of movie later. It’s quite a clever setup.

I love the way they use the fight scenes in this damn movie. 

I mean, your whole opening sets us up for this: we *see* how effective Rumlow and team are, and how the techniques they use readily and quietly fell normal men. Then we see how ineffective they are against Steve, which then leads to us seeing how powerful the Winter Soldier *is*. 

I love everyone in this bar.