I rewatched The Avengers today and I finally realized why Steve is such an ass. I can’t believe I never understood before.
Steve literally crashed a plane into a glacier over the Tesseract. He lost his best friend and the opportunity to be with the love of his life over the Tesseract. Of course he’s pissed off and unwilling to help when Fury comes to bother him about the fucking Tesseract.
This is the same fight he fought in during WWII. It’s the fight they told him he won when they defrosted him. Of course he’s mad. Probably betrayed and frustrated, too.
I was always disappointed in The Avengers for depicting Steve this way and now I’m embarrassed because I never understood the reasoning behind it. I’ve seen the light.
Not only that, but at the time of The Avengers, Steve has been out of the ice for two weeks. He lost his best friend, the love of his life, everyone and everything he’s ever known two weeks ago. He fought Red Skull and saw the Tesseract vaporise him into thin air two weeks ago.
And then Fury interrupts Steve’s PTSD flashback at the gym to tell him S.H.I.E.L.D. found the Tesseract and promptly lost it to yet another villain bent on world destruction, and Steve is all Jesus F. Christ, I JUST did this!
And then, as if that wasn’t bad enough, Steve discovers that S.H.I.E.L.D. was using the Tesseract to build HYDRA weapons of mass destruction (because S.H.I.E.L.D. is HYDRA, shhh!).
It hasn’t been two weeks since Steve saw whole army battalions vaporised and smashed a plane into the Arctic Ocean to prevent the exact same weapons of mass destruction from reaching New York! And here they are again! In New York, in the hands of his supposed “allies,” who lied to him about their purpose for wanting the Tesseract back!
Steve doesn’t like bullies, he doesn’t care where they’re from. In The Avengers, he realises he’s working for the new bullies and doesn’t have a choice if he wants to save humanity.
So yeah, Steve is pissed. He f–ing hates that f–ing Tesseract, and he’s 100000% done with it and with S.H.I.E.L.D. making all the same mistakes again.
I never tested all that well on standardized tests, but I used to love the old SAT analogies. Puppies are to Dogs, as Kittens are to Cats!
So, here’s an analogy. Sort of. Bucky is to Hydra, what the Avengers are to… blank. To the Accords, to the US, to the combined governments of the world, to SHIELD, to Secretary Ross via the UN.
Rewatching Captain America: Civil War the other day, I realized that the complete and utter control Hydra had over Bucky, to use as a weapon however they chose, at their complete discretion, that this is actually what Secretary Ross would prefer the Avengers were. Subject to the UN panel (but preferably subject to government control). The Winter Soldier is the extreme example of that control.
Secretary Ross has that pesky problem of free will to contend with. Hydra neatly removed that problem.
It’s chilling through, at least to me, to see the slippery slope that Accords would/could set in motion.
The Avengers cost money to run and while Tony’s insanely wealthy, he didn’t get to be a billionaire in addition to the genius/playboy/philanthropist by being foolish when it came to money-making opportunities.
Thus, the comic books.
It’s a great idea, he knows it is. With the return of Captain America, there was a resurgence of all kinds of vintage Cap memorabilia and, among them, are the comics that featured Steve and the Commandos in daring (and, by today’s standards, incredibly racist, sexist, and everything else-ist) adventures. Tony’s got still a few – Dad had the whole run – and he thinks an update will go over well. The Avengers’ PR staff wholeheartedly agree, possibly not because Tony is paying their salaries.
The New Adventures of Captain America is first off the press, packaged with a reprint of the original Captain America #1, and they have to go to a second printing within a month. Steve himself is perfectly happy to sign copies because at least it’s not the beefcake shots that Vanity Fair dug up and ran in the January issue.
The Black Widow comes out next and it gets mixed reviews because the girl-power message got undermined somewhat by the cheesecake art. Tony doesn’t think Natasha’s the kind of pissed that will get him murdered in his sleep, but he can’t promise the safety of the next guy who catcalls out that her boobs aren’t as big in real life.
Invincible Iron Man is the third and, okay, maybe the title’s a bit much, but c’mon, since when has humbleness been part of his toolkit? It’s a detective story with lasers, which is precisely what he asked for. That, and to make him look as tall as Cap if they were ever in the same panel.
Thor has plenty of suggestions for his book’s story arcs, which is why the writer is credited as “scripted by.”
Bruce won’t give permission for anything to do with the Hulk, despite Tony’s assurance that this is a way to ‘demonster’ the Other Guy. Bruce says the Other Guy is a monster and should stay that way. Tony tries a few more times, but Bruce won’t budge. Which is why Tony’s sidekick in his own book is a genius named Bruce, no last name given.
Clint will let them do a Hawkeye book, but the creative team is left to their own devices because he won’t even return their texts or emails. What results is possibly payback because it’s not even a superhero story. It’s an ironic hipster drama where the putative hero is really a shlemiel who is a complete failure at everything but being a superhero. Hawkeye is a runaway success, however, and wins an Eisner. Clint won’t go to the awards ceremony.
When Tony finally sees Barton’s home – and gets over the shock that it is a farm with cows and chickens and a wife and children – he notices that there is not only a framed and autographed copy of Hawkeye #1 under glass in the family room, but there is a commissioned full-color drawing by the series artist. Clint might not want anything to do with it, but Laura Barton is very sure this is the most hysterical thing in the history of ever and trawls eBay for merchandise. It’s been a shitball of a day, of a week, but the mischievous smile Laura gives him when he promises he can hook her up at the source makes it a tiny bit less awful.
For everyone wigging out about the movie it REALLY helps to know comics canon here. The snap (people turning to ash/dead) isn’t permanent. Do I know that everyone that dies as a result of it comes back? No of course not, but in the comics the snap is undone.
Personally I think the fates that are settled earlier/elsewhere in the movie are more likely to be undone but dudes, it’s part one of a two part movie. They did a good job making sure ya’ll come to part two.
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