jessicalprice:

All right, ladies: real talk time.

We currently have zero female developers or designers on the Paizo staff. (I know, right?) 

But we have an opportunity to change that. We’re hiring a new developer.

A developer is basically the movie director for their products. They work with the managers and other developers on the production team to come up with ideas for what each book is going to be about and fit it into our overall product array (so, if you’re a campaign setting developer, some of the areas of our world you cover will tie into current adventure paths or modules or hardcovers, while on others, it’s basically carte blanche to do something interesting). Then they outline the book, assign it to freelance writers, work with the art team to figure out what art is going to be in it, and develop the freelancer text to ensure it’s exciting, well-written, and sounds like Pathfinder.

Even junior developers do that — they just may get help from our more senior developers, but it’s still a position where they get to have a direct hand in building our world, writing stuff that’s published in our books, and so on. It’s a creative position with the sort of influence and direct control, at least from my experience in video games, for which you usually have to work for years to get even a small piece of. 

It’s a chance to be at the center of making the best-selling tabletop roleplaying game in the world, on a team of A+ human beings who are wildly creative, funny, and devoted to making great games that welcome everyone into our world. 

I really want to see this position go to someone who’s new and fresh. If you are a strong writer who plays and loves Pathfinder, I want you to apply. Yes, you. I don’t care if you’re just out of college. YOU. 

Now let me talk to you not as a Paizo employee, but as a woman who’s been around the block in games several times. 

We’re doing blind applications-writing/design tests, which means no one is going to know who you are when they review your test. Any unconscious biases anyone might have about your name or your school or your experience or whatever? Not going to be a factor in reviewing your test. (And if you’ve read much about women in predominantly male fields, you’ll probably know that blind applications are one of the single best things for women’s chances of getting hired.)

There’s no embarrassment here if you don’t make it to the round of people who actually get interviews. We’re not going to judge you for applying. You’re not being presumptuous or arrogant by applying. You’re being a badass, like Mythic Kyra up there.  

So put aside your impostor syndrome. Stop telling yourself that you don’t have the experience or the talent or the qualifications — I guarantee you there are a ton of guys who are less qualified than you who aren’t telling themselves that — and stop worrying that we’re going to think you’re presumptuous or silly for applying. We’re not.

And believe me when I tell you this is one of the good ones. You’re not going to make as much as you might in video games — tabletop’s a different industry — but you will have more creative input than you’re likely to get in your first job in video games. You’ll also have Wes Schneider, the single best manager I’ve ever worked with, as a manager. You’ll have a great team around you, full of people who genuinely want to make great games and want to work with you instead of competing with you. You’ll get to work with awesome freelance writers like Amber Scott and Crystal Frasier. You’ll have the chance to hone your craft in a supportive environment. I’ll be there and I’ll have your back. You won’t have to put up with daily sexist microaggressions. You won’t have to be one of the boys to be one of the team. I mean that. 

(Also, you’ll get free copies of everything we make, and yearly bottles of Goblin Fire red wine.)

So. Do you live (or want to live) in the Seattle area? Are you a strong writer? Do you GM Pathfinder and create your own content? Do you have an English degree, or equivalent writing experience?

Apply. Do it now. Yes, there’s a big, scary-looking list of requirements. There is for every job. Do it anyway. Look up at Mythic Kyra. She believes in you. 

We want you to apply, we want you to be good, and we all had to take leaps of faith at some point and say, “I believe I am good enough to do this.” That’s how we got here. 

Come tell stories and build worlds with us. 

Art: Mythic Kyra by Eric Belisle

So that PoC Writing Advice Blog you wanted….

writingwithcolor:

She’s here!
Writing with Color is ready for your questions on all things written and diverse!
Have a token Black guy on your hands? Need help describing skin tones tastefully? Ready to write about a culture dissimilar to your own? Let us give you a hand.
What we offer:
  • Writing advice/guides
  • Diversity blog series
  • Book recs and reviews
  • Writing feedback services
  • More +++
The ask box is OPEN so come armed with your questions. We’ll be happy to answer them!

door:

I work in a comic book shop.  Today a black woman I’d never seen before came in (neither the fact that she was black nor female are unusual for my store—it’s got an awesomely diverse customer base).  She was looking for Afterlife With Archie, but stuck around to browse after I pointed it out.

Sometime later, she walked up with a small stack of issues, and while I was ringing her up, asked if I knew the name of a black superhero from way back.  I suggested Black Panther.  ”Yes!  Does he have a comic?”  I told her that although he was in a few titles, he didn’t have one of his own.  But, I asked her, had she heard of Miles Morales?

She hadn’t.  I grabbed the first issue I came to in the stack where his face was visible on the cover (#25, I think), and she positively lit up.  ”The comic is all about him?”

“Yup!” I said, “and it’s great.  One of my absolute favourites.  If you want to start at the beginning, the first five issues are in a book.”  I grabbed the first volume off the shelf, and she added it to her stack.  After a moment’s hesitation, she looked back at the wall of issues.

"Can I get the first one you showed me, too?”

“#25?  Sure, but…you might not really know what’s going on.”

“That doesn’t matter.  I just want my brother to see it.  He used to love comics, but he hasn’t read them since he was a kid.  I want him to see this boy’s face.”

Representation matters.  Diversity matters.

The Lowest Difficulty Setting in Action | Whatever

John Scalzi wrote a post a few years ago about being a straight white male means you have a life on the lowest difficulty setting (using the video game metaphor). Today he’s written a followup with some quotes from a survey that came out recently. And here is a quote:

I don’t actually expect the sort of straight white man who fervently believes that is life is harder than anyone else’s, harder than anyone else can possibly imagine, and that society is even now feasting upon his set-upon bones, will pause to consider the data above. For that sort of dude, mere data are not nearly enough in the face of certain belief. For everyone else, including the straight white males who aren’t already conflating their own personal unhappiness with society squishing straight white men in general like bugs, this might be useful.

And unlike many other places on the internet – I do recommend the comments section. 

The Lowest Difficulty Setting in Action | Whatever

Comics has an outrage problem.

4thletter! » Blog Archive » Beyond Outrage

I spent some time in LA over 4th of July weekend getting my west coast on. I came back to the world on Monday after a great weekend, only to find that the comics internet had melted down over an ill-conceived hashtag and was busy stomping up and down on the heads of people who were no threat to them.

This isn’t about that, or the hashtag. It’s about all the other times comics has faced controversy and replied with scorn.

The short version is “you don’t have to like it, but please respect it.” The long version is through the link. Comments are off until I get back from lunch, but hopefully you get something out of this.

(via iamdavidbrothers)

This is really fucking important.

(via shulkiesmash)

So on point.

(via katrinastratford)

So here is the thing for me (and fwiw, that title is misleading in a few ways but let’s let that go).

Yeah, I jumped on the tag and here is why – traditionally the comics industry has never listened to me or people like me so when I get angry I’ve used up all my empathy and politeness and ‘proper tone’ about twenty years ago. Now, that’s on me a bit but it is also on comics and on the way those that are in power don’t have to and frequently actively shut down people who they don’t want to listen to and aren’t like them.

I do a lot of intersectional work. I do a lot of diversity, inclusion and equity work and as a self identifying cishet college educated white woman in the western world I have a hell of a lot of priviledge. I have discretionary income. I have the internet at home. I have a steady fulltime job with benefits.

I also am a single mom of a biracial kid. I work in non-profit. I live in a marginal neighborhood because that’s what I can afford. I have debt because that’s how you make it from month-to-month. But that’s not the point.

Here is the point. When you’ve used up all of your ‘but could you maybe’ and ‘what about something a bit different’ and your ‘you know this is problematic and here is why’ and you’re told that you are wrong? Over and over and over. You get angry and sometimes when you get angry you light a match instead of trying to once again be polite and see if re-arranging the deck chairs on the Titanic (and your letter to the editor) will make a difference this time.

I fuck up a lot. I have learned to keep my mouth shut and listen when someone says ‘no, this is a problem and I don’t care how good of an ally you think you are, this is my turn to talk’. It sucks. You want to speak up and talk about how you meant well. How you are doing better than you were last year/month/yesterday. How they don’t understand how hard it is to do this work. Then you remember that for you it is work and for them it is the daily existence of living. Of not seeing your voice reflected anywhere around you.

Remember that the next time someone gets outraged. Remember that there is a person behind the words and that they probably don’t look like you. Remember when you were misunderstood and no one would listen. Do that before you shut them down.