rogersbarnes:

Bucky’s face here will forever be the worst thing in the world. He’s looking at Steve and he’s so proud of him but there’s also this look in his eyes that says “he doesn’t need me anymore, why would Captain America ever need Bucky Barnes” and it’s all over his face. But when you pay attention to Bucky in the crowd you can see him looking around and taking it all in, taking in the fact that people finally see Steve the way he has always seen him and I CANT TAKE IT ITS DISGUSTING HOW MUCH HE LOVES STEVE AND HAS ALWAYS APPRECIATED HIM AND NOW THE WORLD LOVES HIM AND HE’S OVERWHELMED BUT HE’S ALSO SO SO HAPPY OH MY GODDDDDD

What’s also interesting to me is that the Howling Commandos aren’t cheering either. In fact, both Dugan and Denier visibly watch what Bucky’s reaction is. I hadn’t caught that before.

linzeestyle:

mishasminions:

FRIENDLY REMINDER THAT STEVE TRIED TO TRIGGER BUCKY’S MEMORIES BY WEARING HIS LESS DURABLE RETRO!UNIFORM (aka the not-so-bulletproof outfit he wore the last time Bucky saw him) AND BY QUOTING SOMETHING BUCKY SAID TO HIM 70-SOMETHING YEARS AGO

Okay okay but can we just talk about this?  The entire movie Steve’s worth is defined by what Captain America has become.  He goes to the Smithsonian to see Captain America’s life projected back at him — the boy he was before a footnote, the sickly waif who wasn’t good enough until the army (literally) made him A Man — while he’s there he walks around unrecognized; the entire gag at the mall is based on the idea that this is a 6’2” hulking muscled mass of a guy who absolutely no one recognizes unless he has that star on his chest, because it’s the suit, not the person, who’s been given worth.  And when Steve thinks about the most memorable thing about himself — when he thinks about how to get Bucky back — he goes for that.  He goes for Captain America.  And it doesn’t work; Bucky doesn’t react at all.  Because Bucky always saw through that.  He didn’t give a shit about Captain America.  That “little guy from Brooklyn,” that’s the kid he loved, that’s the one he was following when he died, the one who’s scared voice knocked the memories out of him earlier in the movie.  And it’s only when Steve drops the shield, and the helmet — all of the things that make him Captain America, that make him immediately recognizable to the rest of the country, to the world — when he calls on this one, rogue memory from when they were just kids, from before he was the national ideal of manhood he’s been made out to be since his death…  That’s when Bucky sees him.  Because Bucky doesn’t remember, or care about Captain America: Captain America is just a target.  But Steve Rogers, that little kid from Brooklyn?  Is under him, and dying, and scared…and the impulse to protect is so much stronger than anything else that’s been done to Bucky since then.

jchelseaw:

the-steve-bucky-ship:

darthstitch:

mishathan:

High-Res [x]

A Steve is a Steve no matter how small.

A Steve is a Steve no matter how tall.

Really highlights how much of a difference Bucky would have had to get used to.

OMFG I JUST REALIZED IMAGNINE HOW MANY TIMES BUCKY TURNED AROUND TO SAY SOMETHING TO STEVE AND WAS SUDDENLY TALKING TO HIS BOOBS AND YOU JUST KNOW STEVE CRACKED A JOKE ABOUT “MY EYES ARE UP HERE, BUDDY” AND “IS THIS WHAT IT’S LIKE TO BE ONE OF THE GIRLS YOU DATE? *COVERS CHEST IN PRETEND SHYNESS*”

aslkdfjasdfkljsfjk ITS SO AMUSING!

eatingcroutons:

wintercyan:

eatingcroutons:

wintercyan:

lauralot89:

[Snipped.]

[Snipped.]

Incidentally, do we know Rumlow and Sitwell’s clearance levels? In Agents of S.H.I.E.L.D. it’s a pretty big deal; I believe Fury is level 10 and Coulson level 8. Do we…

And someone else answered long before I did with detail: http://librationpoint.tumblr.com/post/102624521187

This is what I get for not reading all the reblogs before posting.

eatingcroutons:

wintercyan:

eatingcroutons:

wintercyan:

lauralot89:

[Snipped.]

[Snipped.]

Incidentally, do we know Rumlow and Sitwell’s clearance levels? In Agents of S.H.I.E.L.D. it’s a pretty big deal; I believe Fury is level 10 and Coulson level 8. Do we know how high up the ladder HYDRA’s operatives are?

Rumlow’s level flashes up on the lift display when they’re setting up the ambush on Steve. I took a few screencaps but it’s pretty hard to make out:

image

The two STRIKE guys who enter the lift after him are level 4, and Steve is level 8. It seems unlikely that Rumlow would have the same clearance level as Steve and Coulson, so assuming he outranks the other STRIKE members he must be level 5 or 6. (I think we can eliminate level 7 even from those blurry screenshots). 

I still haven’t watched most of AoS so I don’t know where we might have seen Sitwell’s level there, but I’ll keep an eye out when (if) I ever manage to force myself to sit through the rest of the series.

I hadn’t spotted that detail, good thinking! I personally think Rumlow is somewhere around level 7-8, though; Fitz and Simmons are level 5, and as STRIKE team commander Rumlow would outrank everyone on Coulson’s team in Agents of S.H.I.E.L.D. except Coulson himself and maybe Melinda May (they would probably be equally ranked). May and Ward are both level 7, but Ward takes orders from May and would also take orders from Rumlow, so it appears either accumulated battlefield experience or some other ranking system is in play; probably the clearance levels dictate what information an agent can access but not their actual rank within S.H.I.E.L.D.’s hierarchy of command? Also, the levels appear to be somewhat fluid since only agents level 7 and above are supposed to know about Coulson’s death and revival post-Avengers yet obviously Skye (consultant/level 1), Fitz and Simmons (level 5), Triplett (level 6), and a whole host of other agents are aware that he’s alive.

I did a bit of poking around and found a list, though I don’t know how accurate it is. Interestingly, it has both Natasha Romanoff and Clint Barton at level 7 but Steve Rogers at level 8. Jasper Sitwell is also level 7, which is lower than I would’ve pegged him for.

I’ll need to look closer into this! Thank you so much for the assistance. :>

No worries! Obsessing about minor details is apparently how I pass my time on Sunday afternoons

I just dug up AoS 1×07 and Sitwell definitely shows up as level 7:

image

That link’s reasoning for putting Natasha and Clint at level 7 is that the helicarrier was staffed by personnel of at least level 7 during The Avengers — but Natasha and Clint could still be higher than level 7, presumably.

I think it does make sense to assume that clearance levels are a separate system to the chain of command. As you say, Ward answers to May even though they’re both apparently the same clearance level. In which case maybe Rumlow is only level 6 because he’s not involved with the higher-level planning stuff at SHIELD, just leads STRIKE on missions? Does anyone in AoS ever mention about where Coulson’s team would stand relative to STRIKE in terms of authority?

One of the things conveniently left out of how MCU talks about clearance levels is that they make them unilateral – which is not how it really works. Clearances are typically based around an area of operations/duties. The technical term is compartmentalized. When I was in the service I was allowed to have a high level of information that directly pertained to my job but that didn’t mean I was entitled to be read in on everything at my clearance level. The reverse was also true, just because someone else had my clearance level (or higher) didn’t mean they were entitled to know anything about my job. 

So I can easily see that someone on a STRIKE team might have a lower clearance level. We are talking about people that are out in the field with a decent level of capture. They might very deliberately not be read in on helicarrier operations or some of the inner workings of SHIELD – 1) they don’t need them 2) if they don’t need to know they they won’t know. And finally if Rumlow and company were based at the Triskelon they wouldn’t need the higher clearance levels anyway.

It’s also not uncommon to have mission specific information that transcends clearance levels that you are technically entitled to. That gets labeled ‘mission sensitive’ and you end up with an exception in your file that covers that bit.

And to further complicate it with MCU CATWS meta – Rumlow is clearly Pierce’s active muscle. He leads the attack on the control room so he has a lot more information about SHIELD as well as Cap that he would normally be expected to have. [We also don’t know what areas of the building that Rumlow would be expected to have.]

dammit-mcu:

When we’re discussing villains, anti-heroes, and/or a complicated character who has done bad things, but has an in-universe reason for doing them, you cannot take race out of it, okay? You cannot pretend that the fact that this character is being played by a conventionally attractive white man has no bearing whatsoever on how the story is shaped or how you react to him.

Your media does not exist in a vacuum, it exists in a continuous timeline of marginalized people being used as fodder for straight white men and their pain, their motivations, and their humanity. Characters of color are never as humanized as white characters are, and don’t get to play as many complex characters as white actors do; and even when they do, they get erased, vilified, and devalued by the fandom because they don’t fit the stereotype we’ve come to expect. Look at Nick Fury. Look at James Rhodes. Look at all the recent bullshit with Sam Wilson and Antoine Triplett. That’s what happens when you get complex, interesting, well-rounded black male characters: fandom tries to argue that they could be villains in disguise and/or write them out to focus more on their white male characters.

Even with villains, only white men get to play the kind of complicated, intelligent, sympathetic villains we all love, like Loki. Imagine if Loki were played by Michael K. Williams. Do you think fandom would’ve embraced him with open arms if he were played by a black man? Do you think Michael K. Williams would be at Tom Hiddleston levels of adoration by fandom? Would people be writing tons of meta trying to excuse Loki’s actions if he were black? Do you think Loki would’ve been in three major movies, one as an outright villain, if he were played by a black man, especially a black man who is as an amazing actor and Shakespearean thespian as Tom Hiddleston, maybe even more?

If you said yes, you weren’t paying attention when the internet screamed the walls down for Branagh casting Idris Elba as Heimdall. Or Fantastic Four casting Michael B. Jordan as Johnny Storm. Or Quvenzhané Wallis being cast as Annie. And I’m sure it’ll happen again because people get astonishingly angry when people of color, especially black people, get to play characters who are heroic in any fashion.

Meanwhile, black and brown men are cast as thugs or drug dealers or terrorists, with no backstory to explain their motivations and no moments to humanize them to elicit empathy or sympathy. When there is an intelligent, sympathetic villain in a big box office movie that could have a person of color in it, sometimes specifically because the character is chromatic, it’s given to a white man because no one would believe that there is a chromatic actor out there who could play a cunning, ruthless yet sympathetic character better than a white man. 

So yeah, love your villains, support your anti-heroes, and argue for their humanity if it’s needed, but please don’t act like the fact that they’re usually played by good-looking, able-bodied, cis white men does not play a big role in how much you empathize with them, and how much that is a specific calculation by a media industry that does not give enough of a fuck about marginalized people to represent them accurately, or at all. 

Characters of color do not get the same treatment and opportunities as white characters, and it matters, especially to those of us who had to grow up never seeing any kind of positive representation of ourselves, and had to fight to get what little we’ve gotten.

It matters that we get two Chinese-American female characters, like Skye and Melinda May, who aren’t stereotypes and are allowed to express emotions without the narrative punishing them for it; it matters that we have a character like Rhodey who is heroic yet down-to-earth and someone that Tony can trust, no matter what; it matters that we have a heroic black man like Antoine Triplett, who is a legacy, and another heroic black man like Sam Wilson, who is a genuinely good man that is trusted by Captain America; it matters that we have a complicated, morally ambiguous black man like Nick Fury who can be fearless and vulnerable and a father figure to Natasha Romanoff; it matters that we get a mixed-race character like Raina who has her own motivations and complex morality; it matters that we have someone like Mike Peterson, who has been kidnapped by Hydra and forced to do evil with threats to his life and his son’s life, but he clearly doesn’t want to, and it eats away at him every time he has to do it.

You cannot take race out of it, especially when the default hero is a straight white man, and you have been trained your whole life to automatically be sympathetic and understanding of white male characters. You cannot pretend that a character being white and male does not have a significant impact on the way you relate to him, and the way you relate to the rest of the cast.

It has a significant impact or people still wouldn’t be arguing that Sam and Trip could be Hydra, despite all evidence to the contrary.