so I’ve got this headcanon that Guardians of the Galaxy is really the Avengers playing a table top roleplaying game, where Bucky’s the DM who suffers through heaps and loads of trolling
Mostly from Steve
Especially from Steve
Which means Natasha was the one who sat down and wrote out the long, comprehensive backstory for her kickass space assassin Gamora, that Bucky keeps trying to work into the campaign but they keep getting sidetracked by –
Tony who just created what he sees himself as – the suave, wise-cracking space vagabond.
Thor who needed a lot of help building his character and decided on a couple easy to remember traits (Strong, honor, doesn’t get metaphors)
and Bruce who’s actually too busy to pay full attention so any time Bucky asks what he wants to do he just says “I am Groot” and lets Steve decide
Oh my god.
Headcanon accepted so hard
now in light of GOTG2
Sam joined in last minute so Bucky gave him a pre-rolled NPC That no one really cared for just to mess with him. Sam actually put a lot of thought into it though and managed to turn Yandu into a loveable character. (imagine Sam throwing a critical saving throw then excitedly yelling “I’M MARY POPPINS Y’ALL”)
Bruce, after making a sacrifice play at the end of the last session (hoping this would get him out of future game nights so he could focus on work) had to star over even though he insisted on keeping the same character. Baby Groot was the compromise.
Clint, who at first refused to join in something so ‘nerdy’ was convinced (forced) to participate by Natasha. Since he had no experience Bucky set him up and gave him Nebula. Clint then proceeded to screw with Natasha the entire night.
Wanda, wanting to reflect her experience of coming to america and suddenly facing unknown culture, plays Mantis.
First I know nothing about Marvel comics: all my context I got from the films Thor (delightful) and Avengers Assemble (remember very little except it had good jokes and the final action scene was too long), and reading The Amazing Adventures of Kavalier and Clay.
I went to see Captain America: The Winter Soldier last night because of this which I saw a few people reblog:
(okay and also all the gifsets of Sebastian Stan crying. I WAS MIS-SOLD ON THIS FOR THE RECORD, THERE IS LITTLE TO NO CRYING AND ALSO HIS HAIR IS AWFUL.)
If Kavalier and Clay taught me anything it’s threesomes are the best solutions to love triangles Jewish-American cartoonists in the 1930s and early ’40s were all over inventing subversively American heroes to fight Hitler, and I was very unsurprised when I got home and looked it up to learn that Captain America was created by two Jewish guys too. (I know this is really basic comics history stuff and I’m sure fifty people have written dissertations on “He’s A Mensch: The Jewish Identities of Captain America and Superman” or whatever.) What really slotted everything into place was realising that Captain America was created and entered on a cover punching Hitler in the face before America had entered the war.
Basically (right?) Captain America was created by two Jewish-Americans to shame the US into properly fighting Hitler.
Like, I am Captain America, the America you say you want to be, and I challenge you to put your money where your mouth is and actually do something about it. And yes he’s over-the-top and tacky but that’s where the challenge is, right? The chest-thumping American patriotism says “We are good and spread liberty! And also freedom!” and Captain America is like “great! I am that, and I have to point out you are not actually doing that”.
AND I think this is Jewishly on purpose, and here’s why:
Judaism has this important phrase/concept/slogan/life motto from the third-century-ish text Pirkei Avot, which goes: Lo alecha hamlacha ligmor (it’s not to you to complete the work of repairing the world) v’lo atah ben chorin l’hivatel mimena (but neither may you desist from it). You won’t be able to fix the world by yourself, or in your lifetime, but that doesn’t absolve you of responsibility to work towards it.
I feel like grimdark/anti-heroes are a response to the fact that the world is neither good nor moral, like “well if the world isn’t like that, I won’t be either”. But they’re also excuses for not working towards fixing the world: I won’t bother because it’s all fucked anyway. Lo alecha and Captain America say, yes, it is fucked, but you still have to work towards fixing it. And yes, it’s hard, that’s why it’s called work.
Which is why I think saying “Oh, if Captain America represents the US he should be a dick, because the US is a dick” or “Captain America is an imperialist symbol of US superiority and is therefore bad” are both off base and a dodge of having to do that hard work.
“If Cap = America then Cap = dick because America = dick” is basically just throwing hands up and going “right but guys have you noticed that actually America is imperialist and horrible? DO YOU SEE?!” and implying “so what can you do about that, right?”. Captain America says, “Try to make it better! is what you can do!”
And about saying he’s a symbol of US imperial superiority, I mean, he is a symbol of America but aimed as a criticism at real America. He’s the American ideal cranked up to five million – for the purpose of shaming America for not living up to what it says it wants to be. And he is aimed at Americans, so I can see a criticism for him being US-centric in that metanarrative sense, but he’s yelling at America to sort their shit out and I think him yelling at non-USAmericans to sort their shit out would be much worse? But I definitely don’t think Cap is supposed to be about how great America is, he’s about pointing out exactly in what ways and how much America is failing to be great. And then saying “but, that doesn’t mean you get out of trying harder!”
Also, how great is it that his ‘weapon’ is a shield.
so um that’s what I thought about when I saw The Winter Solder last night. that and biceps.
This is amazing on so many levels and also makes me want to have a special fandom-centric Shvi’i shel Pesach/seventh night of Passover virtual seder table on Tumblr to talk about the intersections of Judaism and popular culture with food and media crit and discussions of the diaspora. ALSO everyone should read The Amazing Adventures of Kavalier & Clay.
THIS THIS THIS THIS THIS
This history of Captain America is really fascinating. He was created by Jewish comic book writers as a way to drum up support to ax Hitler and defeat Nazis WELL before mainstream America wanted to even go near Nazi occupied Germany and Europe and in a time when there was actually plenty of support FOR Nazis and their ideals in this country.
Cap could go where many Jews and other minorities could not go at the time. He could take a serum and become the ultimate defender and fighting machine. He was designed to go into Europe and eradicate Nazis not as a statement of “fuck yea, ‘merica” macho manliness, but as someone giving aid and taking a stand against injustice. This is the immigrant’s version of American ideals. You think Steve is punching out HYDRA for his health? Steve was designed to be the hero every persecuted person in Nazi Europe deserved, but never got.
Even the movie downplays it too much. That scene in the first movie where Steve says he doesn’t want to kill Nazis, just stop bullies. Bullshit. Steve has all the idealism of the immigrant dream of America in the 30s and 40s and all the anger of the injustices done to them. His weak physical form is designed to mirror the powerlessness of many Jewish Americans both economically, socially, and politically at the time. It’s only thanks to a German (and HIGHLY CODED GERMAN-JEWISH) doctor that he receives the means to become the weapon and defender he can be. He’s not built to stop “bullies” he’s created to destroy a credible threat to minorities. Utterly and completely.
Steve Rogers is the idealized Jewish immigrant,
but…
Captain America is a golem and don’t forget it.
Created for the sole purpose of defending those unable to fight back, or needing a powerful ally in their fight.
Everything about one of the most iconic superheros in American culture is Jewish even if Steve Rogers himself is not. His story is. And if you deny it, erase it, or in any way tamper with it (Looking right at the current ongoing trash that comics has to offer Steve) then there is literally no point to Cap’s character or goals.
He’s the power fantasy of Jewish writers who wanted to get rid of fascism in all forms.
Emily Vancamp as Sharon Carter in “Captain America: The Winter Soldier”
Here’s an example of what we call a “soft no”. Sharon turns down Steve’s offer in a way that’s meant not to insult him but never actually uses the word “no”.
Steve clearly gets the message, though, and importantly offers to leave her alone. Sharon’s comment afterwards gives him an opportunity to try again later, but he doesn’t press and respects her rejection of his company even though it’s probably hurt his feelings a bit.
Just in case you ever wonder “What would Captain America do?”; there you go.
never do something steve rogers wouldn’t do.
Unless it’s jumping out of a plane without a parachute, you probably shouldn’t do that
I just have to add – I’ve seen interviews with Marvel people where they say that this scene demonstrates that Cap’s awkward with women and doesn’t know how to ask women out on a date. And it drives me crazy, because – as the OP says – Steve behaved perfectly here. It was a very charming, nonthreatening offer, and he accepted her rejection with good grace. You can’t help but feel that to Hollywood, the fact that she said no means he asked badly – which is exactly how I’d expect Hollywood to think, namely, the idea that men should keep pressing and pushing women until they say yes
In fairness, I think there’s a valid point that the offer itself is kind of awkward–there’s a moment where he pretty much takes a deep breath before flinging himself off the cliff, he stammers, his delivery is uncertain, you can practically see the “…:D?” moment where inside he’s going “real smooth, champ, did you seriously just ask her out with a dorky-ass offer about laundry?” And in his haste he accidentally implies a transactional element to the offer–which Sharon calls him on immediately.
The thing is, none of the minor awkwardness is nearly as important as how gracefully he handles the fall. Sharon calls him on the implication that there’s a price, and he makes it clear that yes, he’s asking her out, but no, he’s not asking for anything more than a chat and a chance to get to know each other. Point Number One in Steve’s favor. Sharon drops the skeptical standoffish look, and takes care to smile and be friendly and provide a soft excuse for turning him down. Point two: Steve hears the soft “no” for what it is. Point three: he doesn’t argue with it and assumes it’s her final answer. Point four: he smiles and plays along with the excuse and doesn’t take it personally, even though he’s probably hovering between “disappointed” and “kicking himself” on the inside. Congratulations, Steve, you have just catapulted yourself from “cute but kinda awkward” to “holy shit, she would date the fuck out of you if she didn’t have 6394187 ethical and professional obligations and a possible emergency situation getting in the way.” No wonder she gives him an opening to try again later.
Semi-related observation #1: Dude spent the first twenty-odd years of his life as skinny!Steve–it’s both perfectly logical and kinda sad that he’s a lot smoother at handling rejection than he is at actually asking someone out.
Semi-related observation #2: This entire movie is full of Steve’s faltering attempts to connect with people in a particularly mistrustful, un-forthcoming corner of the 21st century. Most of the time, it kinda feels personal–but getting turned down for a date by a cute stranger is one of the times he’s totally fine with not taking it personally. No wonder he can’t resist a sarcastic comment when she passes him in the hallway at SHIELD after giving Alexander Pierce a full report on the previous evening.
^^^ all of this.
Something I was thinking about since the last time I reblogged this post that I also wanna add is that Steve is pretty careful with his body language here. Since the serum, Steve is a big guy; and we’ve seen him crowd people and get up in their face when he wants to be intimidating (usually when he’s righteously pissed off), so we know he’s aware of his capacity for it. In this scene, he keeps a reasonable distance from Sharon, and though the cropping of the gif doesn’t quite show it, he raises his hands in a very clear hands off/I surrender kind of gesture when she turns him down – the “I’m not a threat, I’m backing down” of human body language. He also angles his body away from Sharon then, turning away and making clear he isn’t following her. This might seem awkward to someone who only expects to see Steve as the confident and physically powerful presence he is when he’s in uniform – but it’s completely appropriate here. As someone who got bullied as much as he did, Steve knows how to read a bully’s body language; and he knows how NOT to adopt that body language, and be physically non-threatening despite his build, in a situation where he doesn’t want to come across as a threat.
I think it’s a possibility. smarter, more observant people than me have worked out meta on this. A few weeks ago I saw a post about Bucky’s bruising/bleeding after Steve rescues him in ca:tfa
and how it compares to Winter Soldier in the chair:
It’s certainly a compelling argument. Whether or not they tested a rudimentary version of mind wiping technology on him, there’s a lot to be said for the way Bucky dresses before and after his capture. There’s a deliberateness to everything he wears, both from the directors/costumer designers in the movie to Bucky himself, because his clothing certainly does tell a story. There’s been fantastic meta on Bucky’s clothing, too. Let’s take a look at the Bucky we first meet:
what a dapper motherfucker. So pristine, and (mostly) to regulation with his tie and collar just so, with just a little bit of charm and personality shining through with the jaunty angle of his hat. This is why most people agree that Bucky Barnes cares about his appearance, that he cares about it so much that he used his hat to set himself apart.
The next time we see him before he’s captured is the deleted scene where he’s wearing his helmet. Again, it’s at an angle, but whereas the hat choice is deliberate, I would argue the helmet was donned rapidly. The fact that it isn’t buckled bothered me (like he was being cavalier with his safety/had to look good in the middle of a war zone) until I saw American Sniper, where there was a very similar moment where the sniper finished sniping and then moved to put his helmet on, very quickly with the emphasis on getting it on rather than fitting it properly, and I went ‘ooooh, that could explain it’. Bucky might need to get it on and off quickly so it isn’t obstructing his shooting. I’m sure there’s also a possibility both are for movie purposes too, blocking and face shots etc.
This is the last time we see something on his head until he’s in the mask as the Winter Soldier.
Let’s take a moment to compare Bucky before he’s shipped off, to Bucky post-capture.
First of all, no hat. Second, compare this to Bucky done up in full uniform from the first scenes. We’ve all read the fantastic meta that talks about his mental state in this scene, and I agree with that. This is a Bucky who can’t bring himself to wear his full regulation uniform.
But take a look.
what
other
similarity there is
Bucky no longer wears anything tight around his neck.
Bucky no longer wears anything tight around his neck.
And suddenly, his outfit in the bar scene becomes more of a focused, deliberate lack of regulation uniform. He literally cannot bring himself to do up his collar or tie, and it doesn’t get better.
His jacket is never done up fully, just tucked in. It LOOKS dapper as fuck, and I’m sure he’s aware he looks good in it, but if he picked it out himself as we enjoy speculating, he also picked something he’d be warm in but could also get it away from his neck with a quick tug. Is this so he can breathe easier? Is it because he actually had something around his head and neck while tortured? We could get into the possibilities indefinitely.
brb crying over Bucky again
I just want to add that every scene we see him in after the rescue, he’s holding something he can use as a weapon. On the battlefield, it’s the guns. Specifically the big one he has taken to carrying like a baby, which I have no doubt he intends to use on Zola next time he sees him (he seems the poetic type to kill Zola with a gun taken from the place that tried to destroy him). In the bar, it’s the glass, which he only lets go of when Steve is present. He doesn’t want to ever be in a situation where he is bound down and shackled like an animal again, so he takes pains to make it as difficult as possible for anyone to get to him that way again.
Ye gods, this is perfect. And he’s so low-key about it that even though we see Steve carefully taking in the state of Bucky’s dapper uniform in the alley (“You get your orders?”), he spends very little time checking Bucky over once they’re away from the factory. Even in the bar scene, if I remember right, Bucky looks at Steve WAY more than Steve looks at Bucky. Steve doesn’t feel the need to examine Bucky closely—he’s always busy with something else—even as Bucky keeps his laser-focus on Steve.
Bucky slipped the extent of his trauma right past his best friend. Steve doesn’t seem to have any idea how fragile Bucky is, even though Bucky’s practically hanging a neon sign on it with these wardrobe changes.
Okay, this warrants some further dissection, and I’ve got @maichan808‘s blessing on this so STEP INTO MY OFFICE. Or as I like to call it:
I can’t honestly say I’ve ever given a tremendous amount of thought to how the fuck Captain America gets dressed in the morning (as opposed to how he gets undressed or is undressed by someone else, ahem), but now that the question’s been posed and @maichan808 suggested I do a full post about it, I went down that rabbit hole in about .5 seconds flat because I’m a librarian and a costume nerd and this is how we do. SO.
Not only is Cap’s uniform pretty fascinating from a costuming perspective (although uniform functionality for Cap as a character and functionality for the costume department are two totally different things, as I’ll mention later), but it’s also useful and interesting to think about for fic or art purposes. Because, let’s face it, fandom spends an incredible amount of time writing about Cap getting naked, and the logistics of… how he actually… does that are kind of cool when you dig into it.
So here’s what we have for Cap’s uniforms spanning from Captain America: The First Avenger to Avengers: Infinity War, and I’ll break each one down from there.
From L to R: Captain America: The First Avenger, Avengers, Thor: The Dark World (which I disregard here), Captain America: The Winter Soldier, Avengers: Age of Ultron, Captain America: Civil War, Spider-Man: Homecoming (also disregarded for the purposes of this post, but it’s the same uniform as Avengers 1), and Avengers: Infinity War.
Much like the character, Cap’s uniforms evolve over time and get increasingly more complex and intricate, and there are large and small variations based on who directed the movie. For instance, Joss Whedon’s Cap looks cartoonish and extra spangly in Avengers and even Ultron, to a lesser extent, because Joss is overly married to comics!Cap and very literal in his interpretation of the character, while the Russo Brothers’ Cap is more of a study in how a practical uniform would have to look and function in the Real World. (As someone who’d like to push Whedon out an airlock, I don’t think it’s coincidental that this is an excellent metaphor for where those movies diverge thematically and in terms of Cap’s character development.) Which is why we have lycra and red go-go boots on the one hand, and the gift that is the stealth suit on the other.
The question that was posed originally, and which started this whole rabbit-hole dive, is a) how the fuck does Cap get in and out of this thing (or better yet, have someone remove it FOR him), and b) is it actually a onesie? Because that’s what the hell it looks like, and thanks to Spider-Man: Homecoming, we now know how superhero onesies come off.
As much as I’d love to see that, let’s start with Cap’s uniform in The First Avenger. With bonus Bucky.
There are a greater amount of seemingly useless buckles and straps on this one, but you can just about see how the costume comes together if you look closely. It’s three pieces including the pants (but not counting his gloves, boots, etc.)
As far as I can tell, it looks like his uniform consists of the main part of the top, with white sleeves and a white torso with two red stripes/buckles. The second piece is a set of epaulettes-slash-crop top that fits over his shoulders, buckle twice around his biceps, and then also attach to the red buckles. Then it comes behind his shoulder blades, where you can see it’s a separate piece of fabric. Sorry if this gif is a dick punch, guys.
The grey stripe below the star is where it ends, which you can tell more clearly here based on the slight shadow beneath the stripe.
It’s an interesting approach and actually pretty functional.
Weirdly, his uniform in the promo images looks more seamless, although that could just as easily be Photoshop. a separate top part would be way more breathable and easy to move around in.
No bells and whistles but still gives him extra padding/armor where he needs it around the shoulders, which is pretty appropriate if you’re running around on the Western Front during WWII.
Next is Avengers, which I’m going to spend the least amount of time on because it’s the easiest to dissect from a costume perspective and also the most boring/ridiculous, IMO.
You can see pretty clearly that it’s two pieces, a top and pants, and if we ignore the super stylish decorative zippers for a moment, you can see in the picture to the right where the top zips up, and that the area around the star would fasten with velcro. Much easier to change in and out of, but: yawn.
The Winter Soldier was the first real break we saw from the comic-book style of visuals and costuming for all the characters. (And not just Cap. Black Widow’s uniform becomes more practical-looking and less cartoonish as well, but the difference was most obvious with Steve.)
Not only did he get a costume made of kevlar and not lycra, with strategically padded areas and functional details like cargo pockets, arguably much more practical in the field, but we got the stealth suit, which reduced the spangly factor significantly and made him look like an actual special forces operative. He fits right in with his team, except that he’s in navy blue, not black, and still has the star on his chest and the cowl. There is only the tiniest bit of dark red on the sides, if you look closely. Overall, as the name implies–stealthy. But more importantly, it’s realistic, like Cap might actually be out there in the real world saving people and doing things, and not just as comic book character.
This costume not only set the tone for the movie, IMO, but it introduced a level of design complexity in the MCU that takes some figuring out because it’s not obvious how the suit does up. It does actually look like a onesie until you look more closely. And as a costume nerd, I’m impressed by how well-thought-out and cleverly designed this costume is. Not surprisingly, they went so far as to pattern all his other uniforms off this one, with minor differences depending on the tone of the movie and the director, which I further break down below.
Ultron (Whedon):
Civil War (the Russos):
I love how the Russos’ vision of cap is so restrained, practical, and realistic while still capturing the iconic costume/image–no loud colours, not even the white stripes, but it’s still obviously Cap and representing everything he stands for. Whereas with Ultron Cap, it’s like Whedon can’t help himself, putting him back in spangly colours and random red-and-white accents that take the tone the Russos painstakingly created in Winter Soldier and sends it eighteen steps backwards. Kind of like Ultron did as a movie overall.
I’ll include a shot of Cap in Avengers: Infinity War too, but it’s important to note that it’s the same suit he wore in Civil War, just dirty, beat to all hell, and with the star ripped off. Because the costume designers were clever enough to factor in that Steve probably wouldn’t be picking up an edgy new uniform as an internationally wanted fugitive. But then I started thinking about what state of mind Cap would have had to be in to claw the fucking star off his uniform, and then I had to go sit quietly by myself for a few minutes.
In terms of how the costumes are constructed in Ultron, Civil War, and Infinity War, they’re very similar. To address the most basic thing first: no, it’s not a onesie. It’s less obvious in the movies, and I’ll touch on why in a minute, but from behind-the-scenes pics, we can see there are two distinct pieces they strategically hide with a belt.
Let’s start with the jacket.
In this picture, you can see fairly clearly that the jacket isn’t one seamless piece, like a shirt. It wouldn’t be practical with this stiff kevlar, and take it from someone who used to have to wear head-to-toe kevlar as a competitive fencer: that shit can be stiff as hell, and Cap’s uniform is also padded to make getting dressed and undressed extra difficult while protecting him from minor inconveniences like bullets and people trying to kill his ass. At the neck there are symmetrical sections that come forward over his shoulders and fasten on either side of his neck and chest, likely with velcro. (Can we also appreciate the attention to detail in adding a tag with ROGERS below the shoulder? In case anyone forgets who the suit belongs to? I’ve watched TWS eleventy billion times and never noticed this.)
This shot from IW shows that there is a piece that comes up over the backs of his shoulders, although it’s a little difficult to distinguish from his harness.
And this shot from Civil War clearly shows there’s a place where the jacket separates and fastens down, probably also with velcro.
What I imagine is that Cap’s uniform jacket probably goes on a bit like a straitjacket (with the arms free, obviously), where he’d stick his arms into it from behind and then do it up the back and over the shoulders.
What I think is most hilarious about this is he’d probably need help getting in and out of that thing, which I’ll let your imaginations run wild with at your discretion.
Now for the pants. Steve does appear half in uniform in a couple different places in the films–ironically both in Whedon’s Avengers. The first in Avengers 1 where he’s sitting at a conference table wearing a running shirt, and we can extrapolate from there that he’s probably wearing pants underneath the table. Probably.
The other time is in AoU, when he’s at Avengers Tower and just walking around in his uniform pants and, presumably, the undershirt he wears under his tac jacket.
This isn’t the exact shirt he wears at Old McBarton’s farm in the movie–that one is more blue–but clearly this style is his preference because he’s a smedium until death it shows up multiple times in the movies.
That one’s for science.
The one other point I’ll make here is that it’s important to distinguish between what is considered practical for Cap as a character, and what is considered practical for the costume departments. For Cap as a character, an athletic undershirt, tactical jacket, pants, and belt (plus the harness, gauntlets, gloves, boots, etc.) are what would be considered practical to keep him intact in the field and make it easy to get dressed and undressed without a team of stylists.
But for the costume departments, they have other considerations, like what will look the best and create the smoothest lines while still being easy to move in. Which is how we end up in somewhat more wacky territory like that of the belly window. We all remember the belly window, right? If not, let me remind you.
This is where I go and contradict myself, because that? That is a belly-windowed onesie with a jacket that goes over top. Chris Evans on set wears a onesie; Captain America does not. (Again… probably.)
Here’s another because it totally looks like Cevans is very self-conscious of said belly window and trying to cover it up. Not that I blame him.
The whole point of this is because a onesie with lots of mesh and spandex creates smooth lines under a jacket and won’t show gaps when he’s moving around and doing lots of stunts. Realistically, Cap’s uniform should show tons of gaps and ride up awkwardly and move around like crazy because it’s two separate pieces, but that’s Hollywood magic for you. Costume designers have to think of these things and concede the point that Cap likely would be difficult to take seriously in a fight if he were flashing his midriff all the time. Just goes to show what they know, because blinding people with his abs would probably come in handy now and then.
So if you’re a writer or a fan artist or just a very curious individual who wants to know how Cap would get dressed or undressed, there you have it. This was a super long post, but these are things we as serious researchers need to know in the interest of attention to detail and accuracy.
But if you take away nothing else, just remember: that jacket is super awkward fastening up from behind, so Cap? He’s probably gonna need you to have someone give him a hand with that. Who you elect for the job is entirely up to yourself, but don’t leave the guy hanging.
Steve Rogers’ New York is a period historical blog centred around the ever-lovable and admirable Steven Grant Rogers, better known as Captain America! It looks at a range of elements from 1920s – Mid 1940s New York and American culture as they would relate to, would have shaped, Steve and his world view.
Here’s some information and resources you might like to have for when you’re writing about male WWII-era characters undressing each other and engaging in sweet, sweet, pornographic activities:
US military field uniforms in WWII didn’t have zipper flies. Modern ones don’t either, actually, though there were eras (like Vietnam) when they did use zippers. I’m not actually sure why they originally did button flies or why they went back to them… I imagine it’s just because a lost or broken button is easier to repair in the field than a broken or jammed zipper? But that’s just a guess. The point is, embrace the button fly.
US Army characters like Bucky would have several uniforms issued, and would have mostly worn a primarily wool field service uniform while on the front. He seems to be wearing the tattered remains of that uniform when Steve rescues him in Azzano. The uniform Bucky’s wearing at the beginning of The First Avenger, before he ships out, is the Class A dress uniform or garrison uniform. This is also the uniform that would be worn while in the garrison, as the name implies, so it’s normal for soldiers to wear when they aren’t in the field, which is why we see Bucky wearing it in New York, and both Steve and Bucky wearing their respective dress uniforms while in London or otherwise in the office, so to speak.
You can see a list here of everything he’d have been issued upon induction, which idek I just found really interesting. Mmm, sexy Army underwear! Yeah, get it! They could also buy additional gear to supplement what they’ve been given, and they’d buy that stuff from the base PX (that’s the Post Exchange, essentially the base general store). That may have also included items like these leather photo wallets and other stuff to help them remember the folks back home, but more commonly they’d be buying stuff there like soap, candy, gum, and beer. Did you know there’s a whole freaking book about the PX system in WWII? I fucking love history nerds, group hug, get in here.
So Bucky’s got his standard issue gear when he’s out with the 107th in the deleted scene from TFA. Obviously by the time they become the Howling Commandos, Bucky is sick of Army issue and they become customized as shit. (Most of the other Howlies are still wearing fairly recognizable kit from their respective countries.) They’re probably also not regular Army anymore at all and are totally under the umbrella of the SSR, considering they also wear SSR insignia, so maybe it was the SSR (or Howard, he’s got some style) who hooked Bucky up with his sweet new duds.
Here’s Bucky in his Howlies uniform, which just personally speaking is my favorite uniform for Bucky because he looks hot as helllllll. I can’t find a single piece of standard issue in this (maybe his underwear, only Steve would know for sure).
He’s gotten himself some trousers with additional pockets and they don’t really look like the standard wool to me, either. Maybe they’ve got some slightly futuristic Stark-style waterproofing, I don’t even know. (Regular field trousers would only have side and back pockets, plus a watch pocket; I know there are trousers from the period that do have cargo pockets, but they were for paratroopers and possibly tankers had them too, not infantry.) Just bear in mind that he’s probably still got a button fly. And I’m not at all reminding you of that because I have yet to read a single WWII-era story that describes Steve slowly unbuttoning Bucky’s fly (maybe with his teeth? go wild!), and I’m dying with the lack of it. It’s not that REALLY I PROMISE.
He’s also wearing leather leggings/gaiters, which is interesting because by this point the US Army has abandoned the leggings used in WWI/early WWII and have switched over to a double-buckle combat boot, which was probably what Bucky was wearing in Azzano. These gaiters have buckles instead of the bajillionty hooks of canvas leggings, though, so they’re probably not too laborious to take off. Just if you’re having Steve undress him don’t forget that he’ll need to remove the leggings as part of that process, is all. (God please somebody write me like at least 5K of beautiful hurt/comfort with Steve tenderly undressing Bucky post-mission PLEASE SOMEBODY PLEASE.)
This video is from a reenactor, but it’s helpful because it shows you close-ups of some stuff like the fastenings on the field jacket (zipper and buttons) and the lining inside and whatnot. It’s these little details that really help when you’re writing me that fic I requested above oh god please somebody anybody. It also shows some cool stuff like shaving kit and some toiletry items. Look at the tiny handy roll of toilet paper! The tiny box of cigarettes and the match case! It shows some cool paperwork and books and things a soldier might carry, too. This reenactor video also shows the person opening the pants and you can see how the button fly looks, though the uniform shown is airborne, not regular Army.
Anyway I can’t believe I just wrote this long a post when really my point is please write less zippers and more button flies, kthxbai.
(Disclaimer: I am not in the Army and am not from the 40s. Hopefully most of this is correct anyway.)
A comment mentioned Bucky’s pants thinking I’d talked about his uniform. I haven’t, but I know I’ve reblogged a Tumblr post about Bucky’s uniform. Fortunately (or unfortunately depending on your opinion of time management skills??) I can expound on the information that’s already out there. I also cannot for the life of me FIND that Tumblr post to link it, but I’ll keep working on that.HA Fuck you, I found the post!
I’m not going to get into Army issue. That information is, frankly, kind of easy to find if you need it and Bucky spent none of his post-WTFSteve?? period wearing Army issue. I’m going to try to parse his Howling Commando uniform.