actualmenacebuckybarnes:

biochip:

#possibly the worst photoset in existence 

man, all you gotta do is to imagine steve doing all of these post-cap2:

1. pressed shoulder to shoulder with bucky on the couch, watching their old war tapes, ha you looked like such a weiner with your hair like that

2. getting calls from natasha!! all hours of the night and day. steve’ll be jogging or something and his cell will buzz and it’ll be from an unlisted number, hey what is your opinion on [deep philosophical/moral/political issue] and also rhodey wants your rsvp for the batchelor party, he knows you’ve been avoiding him and wants you to know that despite what tony says there’s NOT going to be strippers.

she also gives him rides to and from visiting peggy. on the drives back she plays harry james and lets steve be silent and nostalgic, looking out the window

3. sam loves open-air cafes, loves any excuse to eat outside. every sunday, he and steve will pick a new one to brunch in, obstinately to round out steve’s 21st century culinary education, but mostly so that sam can update his not-so-secret foodie blog. as they sip their coffee after the meal, steve brings out a small sketchpad and draws buildings, people, and a lot of sam’s face as he hunches over his laptop, muttering about the consistency of chocolate mousse.

4. bucky’s crammed into that seat by the window, leaning into steve’s space as he hotly debates the artistic merits of inception versus early hitchcock films with natasha, who’s sitting in the perpendicular seat. it’s dissolved into russian and steve’s worried that they’re either conspiring to kill someone or go halfsies on a wedding present for tony & pepper without cutting steve in like they promised. sam’s hanging onto the rail by steve’s shoulder, scrolling through imgur on this phone. occasionally he’ll shove it in steve’s face and 9/10 times it’ll be a picture of some kid dressed up like captain america. or falcon. steve can’t help but smile, soft and ridiculous, every single time.

(they’re going out drinking, they’re going home to crash, they’re going to kill a man. doesn’t matter. they’re young-ish adults in the city that never sleeps. they’ll figure it out.)

Much has been made of the fact that Bucky Barnes is one of the few people to recognize the greatness in Steve Rogers before his transformation into Captain America. Much has also been made of the fact that, in The First Avenger, Bucky demonstrably feels conflicted about that transformation. Less noted, however, is how Bucky’s sense of conflict and resentment—and the way he dealt with those feelings—reveals the kind of person he truly is. The narrative motif of the man who can recognize greatness in another but not attain it himself, and who is therefore corrupted by his resentment, is a classic trope. It appears in such literary masterpieces as Dumas’ The Count of Monte Cristo, Melville’s Billy Budd, and Schaefer’s Amadeus. However, the story of Bucky Barnes is one of a man who recognizes a greatness he cannot himself achieve and is not corrupted by that recognition. Unlike the villains of the above-mentioned tales, Bucky Barnes comes to terms with the situation, choosing friendship over envy—and heroism over villainy—something that suggests a greatness within Bucky Barnes that Bucky himself is not aware of. But Steve Rogers, of course, is. Just as Bucky is one of the few people to recognize Steve’s greatness; Steve is one of the few people to recognize Bucky’s. Both of them know each other better than they know themselves, and it is that parallel knowledge that ultimately saves them both.

roane72:

sabacc:

Veni, vidi, vici

 (via febricant)

Oh my GOD, I never thought about the significance of “I need you to do it one more time”. Pierce you fucker I’m glad you’re dead.