Let me be crystal clear: if you’ve faced a tragedy and someone tells you in any way, shape or form that your tragedy was meant to be, that it happened for a reason, that it will make you a better person, or that taking responsibility for it will fix it, you have every right to remove them from your life.
Grief is brutally painful. Grief does not only occur when someone dies. When relationships fall apart, you grieve. When opportunities are shattered, you grieve. When dreams die, you grieve. When illnesses wreck you, you grieve.
So I’m going to repeat a few words I’ve uttered countless times; words so powerful and honest they tear at the hubris of every jackass who participates in the debasing of the grieving:
Some things in life cannot be fixed. They can only be carried.
Tag: quote
All of Neil Gaiman’s New Year’s quotes! Here’s to a year that’s better than this one.
It’s nice to see them all gathered together.
Write every single day.
It’s one of the most common pieces of writing advice and it’s wildly off base. I get it: The idea is to stay on your grind no matter what, don’t get discouraged, don’t slow down even when the muse isn’t cooperating and non-writing life tugs at your sleeve. In this convoluted, simplified version of the truly complex nature of creativity, missing a day is tantamount to giving up, the gateway drug to joining the masses of non-writing slouches.
Nonsense.
Here’s what stops more people from writing than anything else: shame. That creeping, nagging sense of ‘should be,’ ‘should have been,’ and ‘if only I had…’ Shame lives in the body, it clenches our muscles when we sit at the keyboard, takes up valuable mental space with useless, repetitive conversations. Shame, and the resulting paralysis, are what happen when the whole world drills into you that you should be writing every day and you’re not.
Every writer has their rhythm. It seems basic, but clearly it must be said: There is no one way. Finding our path through the complex landscape of craft, process, and different versions of success is a deeply personal, often painful journey. It is a very real example of making the road by walking. Mentors and fellow travelers can point you towards new possibilities, challenge you and expand your imagination, but no one can tell you how to manage your writing process. I’ve been writing steadily since 2009 and I’m still figuring mine out. I probably will be for the rest of my life. It’s a growing, organic, frustrating, inspiring, messy adventure, and it’s all mine.
Two years ago, while I was finishing Half-Resurrection Blues and Shadowshaper, I was also in grad school, editing Long Hidden, working full time on a 911 ambulance, and teaching a group of teenage girls. And those are the things that go easily on paper. I was also being a boyfriend, son, friend, god brother, mentor, and living, breathing, loving, healing human being. None of which can be simply given up because I’d taken on the responsibility of writing.
You can be damn sure I wasn’t writing every day.
…
On my off days, I’d get up as early as I did when I had to be clock in somewhere. I’d get my ass into the chair by nine or ten and try to knock out my first thousand words by lunch. Some days, I didn’t. Other days, I’d get all two thousand done by eleven AM.
And on other days, I didn’t write a single word. Yes, it’s true. Why? Sometimes, it’s because I was busy being alive. Other times, it’s because the story I was working on simply wasn’t ready to be written yet. As writer1 Nastassian Brandon puts it: “if you’re writing for the sake of writing and not listening to the moments when your mind and body call out for you to take a break, walk away and then return to the drawing board with new eyes, you’re doing yourself a disservice.” And that’s it exactly. I’ve spent many anxious, fidgety hours in front of the blank screen, doing nothing but being mad at myself. Finally I figured out that brainstorming is part of writing too, and it doesn’t thrive when the brain and body are constricted. So I take walks, and in walking, the story flows, the ideas stop cowering in the corners of my mind, shoved to the side by the shame of not writing.Tied up in this mandate to write every day is the question of who is and isn’t a writer. The same institutions and writing gurus that demand you adhere to a schedule that isn’t yours will insist on delineating what makes a real writer. At my MFA graduation, the speaker informed us that we were all writers now and I just shook my head. We’d been writers, all of us, long before we set foot in those hallowed halls. We’re writers because we write. No MFA, no book contract, no blurb or byline changes that.
So if writing every day is how you keep your rhythm tight, by all means, rock on. If it’s not, then please don’t fall prey to the chorus of “should bes” and “If onlys.” Particularly for writers who aren’t straight, cis, able-bodied, white men, shame and the sense that we don’t belong, don’t deserve to sit at this table, have our voices heard, can permeate the process. Nothing will hinder a writer more than this. Anaïs Nin called shame the lie someone told you about yourself. Don’t let a lie jack up your flow.
We read a lot about different writers’ eccentric processes – but what about those crucial moments before we put pen to paper? For me, writing always begins with self-forgiveness. I don’t sit down and rush headlong into the blank page. I make coffee. I put on a song I like. I drink the coffee, listen to the song. I don’t write. Beginning with forgiveness revolutionizes the writing process, returns it being to a journey of creativity rather than an exercise in self-flagellation. I forgive myself for not sitting down to write sooner, for taking yesterday off, for living my life. That shame? I release it. My body unclenches; a new lightness takes over once that burden has floated off. There is room, now, for story, idea, life.
I put my hands on the keyboard and begin.
Daniel José Older, Writing Begins With Forgiveness: Why One of the Most Common Pieces of Writing Advice Is Wrong
(via sbeebn)
(via daggerpen)
(via reyissimo)
fantastic advice from a fantastic dude
(via markdoesstuff)
“But remember, there are two ways to dehumanize someone: by dismissing them, and by idolizing them.”
-David Wong
Don’t you dare, for one minute,
believe that my kindness makes me
anything but insurmountable.
I did not unzip my chest to every kind of hurt,
and stagger back, wounded and alive,
just to hear you call me weak for trying.
Writers don’t write from experience, although many are hesitant to admit that they don’t…If you wrote from experience, you’d get maybe one book, maybe three poems. Writers write from empathy.
Interviewer: I actually wanted to talk to you about masculinity.
Tom Hardy: I’m the last person you need to ask about masculinity. I’m as masculine as an eggplant.
A ratio of failures is built into the process of writing. The waste basket has evolved for a reason. Think of it as the alter of the Muse of Oblivion, to whom you sacrifice your botched first drafts, the tokens of your human imperfection. She is the tenth muse, the one without whom none of the others can function. The gift she offers you is the freedom of the second chance. Or as many chances as you’ll take.
-Margaret Atwood
Nine Beginnings essay
“This above all: to thine own self be true, and it must follow, as the night of day, Thou canst not then be false to any man.”
-William Shakespeare
When King Elessar gave up his life Legolas followed at last the desire of his heart and sailed over Sea. We have heard that Legolas took Gimli Glóin’s son because of their great friendship, greater than any that has been between Elf and Dwarf. If this is true, then it is strange indeed: that a Dwarf should be willing to leave Middl-earth for any love, or that the Eldar should receive him, or that the Lords of the West [the Valar] should permit it. But it is said that Gimli went also out of desire to see again the beauty of Galadriel; and it may be that she, being mighty among the Eldar, obtained this grace for him.







