Marvel’s Cancelling Black Panther & The Crew, One of Its Most Important Comics Right Now

sniperct:

emotionstereo:

postmarxed:

socialistexan:

borderlinevamp:

of course they are…

– A former Republican politican makes a comic turning an anti-Nazi icon (and another Jewish/Roma hero) into Nazi anologues: Years long run and the largest Marvel event since the reboot with millions of dollars in advertising

Black creators make an all black team made up of the most prominent Black super heroes of all time: two-issues, zero advertising

I just heard about this last month I was looking forward to reading it :/

So I don’t really follow comics at all but after reading the article it sounds like

This comic is still going to it’s 6th issue

If you want to show Marvel where it can shove it’s decision making, put the 3.99 you can’t spend in good conscience on Captain America towards the remaining four issues of this. They’ll either have to go back on this desicion or stand by it and look transparent as fuck.

^^^

@copperbadge @scifigrl47 signal boost?
Marvel’s Cancelling Black Panther & The Crew, One of Its Most Important Comics Right Now

no but disturbing realistic superheroes

owlishnaiad:

ookaookaooka:

Vision has no hair anywhere on his body–no armpit hair, no eyebrows, no eyelashes. No fingernails. His skin tastes like metal. Sometimes, he forgets to breathe for minutes or hours at a time.

Captain Marvel smells like burning. When you touch her, your hand comes away cold because she’s absorbed your body heat. If she gets cut, she bleeds light. She can tell you what the inside of an explosion feels like.

Bruce Banner vomits after de-hulking. His skin is always red and peeling. He looks sick, like he has a fever, and he ingests more medication than actual food. There are blisters on his lips.

Tony Stark has a huge, sunken scar on his sternum where the arc reactor was removed and his chest aches each time he takes a breath. He has callouses in odd places–so does the whole team, really–and there is a permanent bald spot on the back of his head where it has been cut open every time he gets thrown around in his suit.

Spider-Man sometimes forgets which way is up–if you put him in a room with identical walls, floor, and ceiling, he couldn’t tell you which is which. His hands and feet are prickly to the touch, even through his costume. He is very nearsighted.

The Scarlet Witch has no sense of boundaries; if you can’t tell she’s spying on your thoughts, why should she stop? She doesn’t do it out of any malicious intent, just out of curiosity and convenience. She never loses arguments.

Thor speaks about events that happened thousands of years ago as if they were last week. Cats arch their backs and stare at him. Something about him–his eyes, or his skin, or the way he moves–seems slightly off, like he doesn’t belong on Earth at all.

stuff like that.

Bucky struggles with aphasia and has speech pathology issues from the head injury that caused his amnesia (because let’s be honest, retrograde amnesia -without- traumatic brain injury is just a cop-out.) It’s not like he ever really had to talk while he was the winter soldier, anyway, so nobody really noticed or cared.

Erik Lensherr is consistently iron-deficient and has to take supplements because some of it gets caught in the crossfire when he uses his powers, so he bruises really easily. He’s almost constantly disoriented balance-wise, and sometimes he wakes up with many, many small coins stuck to him.

Charles HATES hospitals. He can’t deal with the sheer amount of people pleading with god for the pain to go away. Sometimes, without realizing, he answers questions people haven’t asked yet. Sometimes, he flinches a bit for no apparent reason, when people think just a little too loudly.

lierdumoa:

acelaurens:

sapphicstarships:

Okay but I’ve been thinking about the massive backlash over Channing Tatum being cast as Gambit, and just about the Tatum-hate in general, and I’m just gonna say it: I think it’s sexist. 

Remember when Channing Tatum first came onto the scene and he was in that Nicholas Sparks movie and then he was in Magic Mike and women were all about the Channing Tatum life? Then you got men saying, “Blegghh Channing Tatum sucks, he’s not a good actor, he’s a dumb jock-type, what about real actors” 

I think the main driving force behind that original wave of men saying, “Channing Tatum is stupid, only girls like him because he’s hot, he’s not even a good actor, blah blah blah” was backlash against him because women liked him. It’s the same reason Dirty Dancing is sneered at by film critics and labeled a dumb chick flick, but Saturday Night Fever is classic Serious Cinema. 

Channing Tatum isn’t a bad actor, he gave critically acclaimed performances in Foxcatcher and Magic Mike both. He’s not stupid: (That all-female Ghostbusters you’re so psyched about? He’s one of the main producers and backers. He also produced Earth Made of Glass with his wife, which is a major, award-winning documentary about the Rwandan genocide, 21 Jump Street and the sequel, which had massive box office grosses, and Magic Mike was literally based on his life. It was his idea, his story, and he co-wrote). He’s not an idiot by any means at all, and the fact that he has ADD and severe dyslexia make the whole “stupid buff guy” stereotype people associate with him kinda sketchy. 

Anyway, after men started lashing out against him because he was popular with women (and Lord forbid something women like be considered quality), then you got women saying, “Well, I just don’t think Channing Tatum is attractive.” or “I don’t like Channing Tatum, I like ~real actors~” and it was all permeated with an underlayer of “…not like those dumb, bimbo other girls.” It’s the same shit as, “I just don’t get along with women, I get along with boys better.” It’s a subtle, maybe even unconscious way of saying, “I think like you, boys, please accept me. I’m better than those girls, please don’t treat me the way you treat them.”

TL;DR: Channing Tatum is a recovering alcoholic and former sex worker with ADD and severe dyslexia who is frequently unfairly lambasted just because he has the audacity to be popular with women. 

here’s a gif of him feeding a puppy soup. please examine your life choices.

also he’s playing a merman in a Disney film
and he is bisexual

Channing Tatum is actually living Gambit’s comicbook story arc:

Reporter becomes Canada’s first hijab-clad news anchor

allthecanadianpolitics:

A Toronto television journalist is believed to be Canada’s first anchor to don a Muslim head scarf at one of the city’s major news broadcasters.

Ginella Massa was asked to fill in on the anchor desk for CityNews’ 11pmbroadcast last week and created a buzz after the broadcast ended and she Tweeted, “That’s a wrap! Tonight wasn’t just important for me. I don’t think a woman in hijab has ever anchored a newscast in Canada.”

Massa, 29, said on Friday that she became Canada’s first hijab-wearing television news reporter in 2015 while reporting for CTV News in Kitchener, Ontario, a city west of Toronto. She moved back to Toronto, where she grew up, earlier this year to take a reporting job at CityNews.

Massa recognized the personal career strides she had made after stepping out of the anchor desk, but she said it took her editor to point out the larger significance.

“It wasn’t until my editor said, ‘Hey, great job! Was that a first for Canada? A woman in a hijab?’ And I said yes. And so I tweeted about it. As much as I knew it was important, I didn’t expect the reaction that I received. My phone hasn’t stopped buzzing for the last week,” Massa said.

Continue Reading.

Reporter becomes Canada’s first hijab-clad news anchor

dignifiedrice:

The Tiffany Aching books are so important. 

They’re about a girl, in a professional hierarchy created by women, growing into her own power, and growing as a person. At the end of each book, her good work is validated by the most powerful witches. For Tiffany’s success, she’s rewarded in an almost Mary-Sue like fashion (and I use that term in the most positive way). Granny Weatherwax bows to her. Granny Weatherwax takes off her hat to her. This lifts Tiffany’s spirits and reassures her that she’s on the right track, and it’s treated as SO IMPORTANT, and, like – how many other books do that? 

The prizes at the end of the story – Tiffany becomes a better person, she protects people, she gains the respect of her superiors (who are also women). 

Can you imagine that in another novel? The joyful moment of heartwarming, the cherry on the ice cream sundae of the adventure, the heroine’s crowning glory, is that some old women bow to her in respect. 

The books are so positive towards women, it’s unreal. Sure, the witches don’t always get along (they’re witches, they’ll always argue), and Tiffany has to deal with some petty one-up-man-ship, but it’s so fucking mature, how it’s handled. Tiffany winds up helping her enemy, Annagramma, who slowly learns to become a decent human being, and is revealed to have her own problems. She also becomes friends with the woman her childhood crush marries, even though they were initially antagonistic towards each other. It would have been SO EASY for these women to be one-note villains, the “bitches” for Tiffany to triumph over, but they’re not, and that’s fantastic. Pratchett does not go for the low-hanging fruit, and tear other women down to build Tiffany up. 

I once had the incredible privilege to speak to Terry Pratchett in person at the Edinburgh Fringe. I thanked him for the Tiffany Aching novels, which had helped me and my husband bond during our year of long distance. And I asked him how he, as a male author, was able to write such well-rounded women. 

“Well, my mother was a woman,” he said, and the audience laughed, but basically he said that his life had been filled with just as many interesting women as interesting men, and it felt natural to reflect that in his novels. 

The Tiffany Aching series is a gift for girls. It’s a gift for just about anyone who reads them, but girls in particular NEED stories like this, stories about a world of women helping and challenging each other. Stories where they get to be powerful. 

theillustratedarchives:

Tyrus Wong
October 25, 1910 – December 30, 2016

I haven’t been updating the blog a lot and only recently started working on it again. This post sat at the bottom of my drafts. It’s been there for almost a year.
I wanted to start a new feature on the blog that would celebrate an artist and their work and I wanted to feature Tyrus Wong first; one of my favorite artists.

Earlier today he passed away at 106 years old. Tyrus Wong was a Chinese immigrant who spent the majority of his career being marginalized; his work often going unrecognized because of his race.

It was for his work on Disney’s Bambi, that Wong is perhaps most recognized for today, although, that took some time.

Inspired by the landscape paintings of the Song Dynasty, Wong created exquisite watercolor and pastel landscape paintings that would inspire the entire look of the film (see images above). Walt Disney loved his work so much that he was unofficially promoted as the films “inspirational sketch artist.”

Wong spent two years creating the illustrations that ultimately inspired the look and feel of the film Bambi. When animators and special effects artists had questions about color or lighting, they went to Wong. His work inspired everything from the tone of the film, to the special effects and the music.

Even though his work influenced the look and feel of the film, Wong’s named appeared at almost the bottom of Bambi’s credits as a background artist. Shortly after his work on Bambi ended, Wang, who had taken no part in them, was let go because of the animator’s strikes at Disney. Wang held no resentment toward the studio, believing that they had treated him good.

In 1942 he joined Warner Bros. where he worked as a storyboard artist, designer, and background artist until his retirement in 1968.

Since his retirement he’s done work primarily as a
painter and also worked as a muralist, ceramicist, lithographer, designer and later in life; a kite maker. In the 90′s he had a sort of resurgence as he became widely recognized for his work in fine art and painting.

Wong spent the majority of his career breaking racial barriers, not
letting himself be constrained by the lines set down by others and in 2001 he finally got the recognition he deserved for his work on Bambi; and was honored as a Disney Legend.

dazzledfirestar:

hexiva:

dammit-mcu:

When we’re discussing villains, anti-heroes, and/or a complicated character who has done bad things, but has an in-universe reason for doing them, you cannot take race out of it, okay? You cannot pretend that the fact that this character is being played by a conventionally attractive white man has no bearing whatsoever on how the story is shaped or how you react to him.

Your media does not exist in a vacuum, it exists in a continuous timeline of marginalized people being used as fodder for straight white men and their pain, their motivations, and their humanity. Characters of color are never as humanized as white characters are, and don’t get to play as many complex characters as white actors do; and even when they do, they get erased, vilified, and devalued by the fandom because they don’t fit the stereotype we’ve come to expect. Look at Nick Fury. Look at James Rhodes. Look at all the recent bullshit with Sam Wilson and Antoine Triplett. That’s what happens when you get complex, interesting, well-rounded black male characters: fandom tries to argue that they could be villains in disguise and/or write them out to focus more on their white male characters.

Even with villains, only white men get to play the kind of complicated, intelligent, sympathetic villains we all love, like Loki. Imagine if Loki were played by Michael K. Williams. Do you think fandom would’ve embraced him with open arms if he were played by a black man? Do you think Michael K. Williams would be at Tom Hiddleston levels of adoration by fandom? Would people be writing tons of meta trying to excuse Loki’s actions if he were black? Do you think Loki would’ve been in three major movies, one as an outright villain, if he were played by a black man, especially a black man who is as an amazing actor and Shakespearean thespian as Tom Hiddleston, maybe even more?

If you said yes, you weren’t paying attention when the internet screamed the walls down for Branagh casting Idris Elba as Heimdall. Or Fantastic Four casting Michael B. Jordan as Johnny Storm. Or Quvenzhané Wallis being cast as Annie. And I’m sure it’ll happen again because people get astonishingly angry when people of color, especially black people, get to play characters who are heroic in any fashion.

Meanwhile, black and brown men are cast as thugs or drug dealers or terrorists, with no backstory to explain their motivations and no moments to humanize them to elicit empathy or sympathy. When there is an intelligent, sympathetic villain in a big box office movie that could have a person of color in it, sometimes specifically because the character is chromatic, it’s given to a white man because no one would believe that there is a chromatic actor out there who could play a cunning, ruthless yet sympathetic character better than a white man. 

So yeah, love your villains, support your anti-heroes, and argue for their humanity if it’s needed, but please don’t act like the fact that they’re usually played by good-looking, able-bodied, cis white men does not play a big role in how much you empathize with them, and how much that is a specific calculation by a media industry that does not give enough of a fuck about marginalized people to represent them accurately, or at all. 

Characters of color do not get the same treatment and opportunities as white characters, and it matters, especially to those of us who had to grow up never seeing any kind of positive representation of ourselves, and had to fight to get what little we’ve gotten.

It matters that we get two Chinese-American female characters, like Skye and Melinda May, who aren’t stereotypes and are allowed to express emotions without the narrative punishing them for it; it matters that we have a character like Rhodey who is heroic yet down-to-earth and someone that Tony can trust, no matter what; it matters that we have a heroic black man like Antoine Triplett, who is a legacy, and another heroic black man like Sam Wilson, who is a genuinely good man that is trusted by Captain America; it matters that we have a complicated, morally ambiguous black man like Nick Fury who can be fearless and vulnerable and a father figure to Natasha Romanoff; it matters that we get a mixed-race character like Raina who has her own motivations and complex morality; it matters that we have someone like Mike Peterson, who has been kidnapped by Hydra and forced to do evil with threats to his life and his son’s life, but he clearly doesn’t want to, and it eats away at him every time he has to do it.

You cannot take race out of it, especially when the default hero is a straight white man, and you have been trained your whole life to automatically be sympathetic and understanding of white male characters. You cannot pretend that a character being white and male does not have a significant impact on the way you relate to him, and the way you relate to the rest of the cast.

It has a significant impact or people still wouldn’t be arguing that Sam and Trip could be Hydra, despite all evidence to the contrary.

@dazzledfirestar

I have nothing to add because this is so on point.

intrikate88:

shardsofblu:

agentrromanoff:

favorite action sequences
↳ captain america: the winter soldier – nick fury is attacked

Look at this. JUST LOOK AT HOW FUCKING BADASS THIS IS.

But you still truly fear for him, because this shit happens right in the middle of a city in broad daylight, where they’re gonna riddle him with bullets and tear him into pieces. And how most people would then regard him simply as a common criminal rightfully pursued by the police, who deserved the very public execution he’s about to get.

There’s a lot to be said about how they chose the “police” machinery to take down Fury, while Steve and company was pursued by nondescript Hydra thugs and the presumably private STRIKE team. They would have absolutely no problem to murder Fury then and there, but with Steve they know they simply cannot do it when there are witnesses around.

Not here, they say for Steve Rogers. But right here and right now for Nick Fury.

And also? Before the attack, Fury sees the white cops eyeballing him in his nice SUV and says “you wanna see my lease?” This man has decades of experience in intelligence operations. He’s been lead developer on an international security-based predictive analysis program. He’s an operations mastermind. 

AND NICK FURY DOESN’T SEE THIS ATTACK COMING BECAUSE THE WARNING SIGNS LOOK EXACTLY LIKE THE AVERAGE INSTITUTIONAL RACISM HE SEES ON A REGULAR BASIS.