Really happy about the increasing quality and honesty of critical discourse in comics in relation to racism and queerness
African-American writers, artists, comics creators: I’ve got something special coming up and I suspect you’ll be pleased.
I want to expose more new and/or underutilized African-American talent to editors, comics companies, readers & I believe I have a way.
I’ve done it on nearly every issue of Zero – every issue a new artist, usually under-seen. Many got new offers, new possibilities opened up
Now it’s time to do it again, in another way, for people who remain severely under-seen and sometimes actively erased by our society.
And by the comics industry as well.
I’m looking forward to telling you more next week. I’m excited. I believe what I’m doing is sorely needed.
White comics creators: MAKE. MORE. SPACE.
Tag: representation matters
“I don’t want all this SJW diversity crap in my Marvel comics”
dude
Marvel’s entire legacy is built on social justice issues and promoting diversity
Captain America was made by Jewish creators; a young boy with many disabilities who fought for his country
Magneto was a Jewish man who experienced oppression and genocide on a grand scale in his time imprisoned by Nazis
Spidey was a young, smart kid bullied at school who lived with his uncle and aunt and who lost a relative to gun violence
Daredevil was a blind, Irish Catholic lawyer who demanded justice for the oppressed and the belittled
Luke Cage was a black man in New York imprisoned for a crime he didn’t commit who impervious to bullets
The X-Men are a metaphor for any given oppressed minority group fighting for their rights
The mid 2000s addition of Wiccan and Hulkling as a young gay couple
The latter 2000s addition of Kamala Khan as a young Muslim girl superhero
Diversity and social justice ideas built your beloved comic industries
Lighten Up
A Marvel colorist reflects on the subtle racism of shifting skin tones.
Ron Wimberly is an incredible artist and this comic really spoke to me (no joke, I’m still crying as I write this). I’m leaving it as a link to the website it’s posted on because the website works to display the comic accurately both on a computer and on mobile, and the layout of this comic is a big part of it’s impact. You should read this.
I want you to read that. And then read it again and tell me we don’t have problems with representation in the media.
MOONSHOT: The Indigenous Comics Collection
MOONSHOT is an incredible 200 page collection of short stories from Indigenous creators across North America, in comic book form!
“Produced by AH Comics Inc. (Titan: An Alternate History, Delta, Hobson’s Gate, Jewish Comix Anthology) and edited by Hope Nicholson (Brok Windsor, Lost Heroes, Nelvana of the Northern Lights), MOONSHOT brings together dozens of creators from across North America to contribute comic book stories showcasing the rich heritage and identity of First Nations, Inuit, and Metis storytelling.
From traditional stories to exciting new visions of the future, this collection presents some of the finest comic book and graphic novel work in North America. MOONSHOT will be an incredible collection that will amaze, intrigue and entertain!
Here are some of the talented artists and writers who will be creating original stories for MOONSHOT:
Claude St-Aubin (R.E.B.E.L.S., Green Lantern, Captain Canuck), Jeffery Veregge (G.I. Joe, Judge Dredd), Stephen Gladue (MOONSHOT cover artist), Haiwei Hou (Two Brothers), Nicholas Burns (Arctic Comics, Curse of Chucky, Super Shamou), Scott B. Henderson (Man to Man, Tales from Big Spirit), Jon Proudstar (Tribal Force), George Freeman (Captain Canuck, Aquaman, Batman), and more!MOONSHOT will be printed as a 200 page, full colour, high quality volume showcasing a wide variety of stories and artistic styles, highlighting the complex identity of indigenous culture from across North America. Most of the original stories created exclusively for this volume are between 5-10 pages, including pinup art and prose passages.
The traditional stories presented in MOONSHOT are with the permission from the elders in their respective communities, making this a truly genuine, never-before-seen publication!”
Check out their kickstarter
Want to write about women of color in comics? Maria W. Norris wants your article by Jan 12! Please reblog!
@MariaWNorris is a PhD candidate who is compiling posts to publish the week of January 19 on http://blogs.lse.ac.uk/humanrights/, a blog from the Centre for the Study of Human Rights at the London School of Economics and Political Science. She says,
We need an article…
Okay, I know the intention of the post, but I can’t help but be mad about it for the way it spreads misinformation and erases hard working people along the way.
I’m talking about this:
It has popped up in my dash all day. As of the time of writing this, the publication already has over 900 notes. That is nearly more than 900 taking this at face value. But the above statement is wrong.
See this fella?
That’s Felipe Smith. And he’s the writer of:
Smith is from Jamaican/Argentine/American descent, defines himself as afro-latino and he’s the only black writer working at either Marvel or DC.
And yes, I know what are you going to say right now;
“But that’s only one writer among who-knows-how-many. WE NEED MORE!”
And I agree with that. And you know what’s the best way to send the message to Marvel that we want more diversity among the people behind the comics? Supporting those few who are currently working.
All-New Ghost Rider is a fantastic series. This comes from someone who has never cared about GR, but, as a mexican with a multiethnic background, I decided to give it a chance after hearing that the protagonist, Robbie Reyes, is a latino and that the writer is also a latino with a multiethnic background. And I have to say, I don’t regret. I can’t afford many comics but ANGR is a must.
And guess what? The book is not selling very well and is facing cancellation. If its cancelled, THEN there would be no black writers at Marvel.
So I can’t stress this enough: want more diversity among the writers? Then support Smith and Ghost Rider.
If you’re interested in checking out ANGR the first trade collecting the first 5 issues was released fairly recently so you shouldn’t have a problem finding it at your LCS. If you read digital the first collection is available on Comixology, or just the first issue if you just want to try it. If you have a account the first 3 issues are available on Marvel Unlimited. Issue #10 is set to be released on January 14.
Spread the word, don’t let a talented person like Smith get erased and send the message that we want more diversity among the staff of Marvel, DC or any other company.
felipesmithart is not only an awesome writer (and artist) but a wonderful person as well. Please think of giving All New Ghost Rider (or any of his other works, really) a chance!
Felipe Smith is a seriously sweet person and his works kick all kinds of ass. PEEPO CHO still ranks as one of my favorite comics of all time, and ANGR is one of 2 Big Two comics I’ve bothered to read and keep up with!
He’s on tumblr, too! Give him a holla @ felipesmithart!
When we’re discussing villains, anti-heroes, and/or a complicated character who has done bad things, but has an in-universe reason for doing them, you cannot take race out of it, okay? You cannot pretend that the fact that this character is being played by a conventionally attractive white man has no bearing whatsoever on how the story is shaped or how you react to him.
Your media does not exist in a vacuum, it exists in a continuous timeline of marginalized people being used as fodder for straight white men and their pain, their motivations, and their humanity. Characters of color are never as humanized as white characters are, and don’t get to play as many complex characters as white actors do; and even when they do, they get erased, vilified, and devalued by the fandom because they don’t fit the stereotype we’ve come to expect. Look at Nick Fury. Look at James Rhodes. Look at all the recent bullshit with Sam Wilson and Antoine Triplett. That’s what happens when you get complex, interesting, well-rounded black male characters: fandom tries to argue that they could be villains in disguise and/or write them out to focus more on their white male characters.
Even with villains, only white men get to play the kind of complicated, intelligent, sympathetic villains we all love, like Loki. Imagine if Loki were played by Michael K. Williams. Do you think fandom would’ve embraced him with open arms if he were played by a black man? Do you think Michael K. Williams would be at Tom Hiddleston levels of adoration by fandom? Would people be writing tons of meta trying to excuse Loki’s actions if he were black? Do you think Loki would’ve been in three major movies, one as an outright villain, if he were played by a black man, especially a black man who is as an amazing actor and Shakespearean thespian as Tom Hiddleston, maybe even more?
If you said yes, you weren’t paying attention when the internet screamed the walls down for Branagh casting Idris Elba as Heimdall. Or Fantastic Four casting Michael B. Jordan as Johnny Storm. Or Quvenzhané Wallis being cast as Annie. And I’m sure it’ll happen again because people get astonishingly angry when people of color, especially black people, get to play characters who are heroic in any fashion.
Meanwhile, black and brown men are cast as thugs or drug dealers or terrorists, with no backstory to explain their motivations and no moments to humanize them to elicit empathy or sympathy. When there is an intelligent, sympathetic villain in a big box office movie that could have a person of color in it, sometimes specifically because the character is chromatic, it’s given to a white man because no one would believe that there is a chromatic actor out there who could play a cunning, ruthless yet sympathetic character better than a white man.
So yeah, love your villains, support your anti-heroes, and argue for their humanity if it’s needed, but please don’t act like the fact that they’re usually played by good-looking, able-bodied, cis white men does not play a big role in how much you empathize with them, and how much that is a specific calculation by a media industry that does not give enough of a fuck about marginalized people to represent them accurately, or at all.
Characters of color do not get the same treatment and opportunities as white characters, and it matters, especially to those of us who had to grow up never seeing any kind of positive representation of ourselves, and had to fight to get what little we’ve gotten.
It matters that we get two Chinese-American female characters, like Skye and Melinda May, who aren’t stereotypes and are allowed to express emotions without the narrative punishing them for it; it matters that we have a character like Rhodey who is heroic yet down-to-earth and someone that Tony can trust, no matter what; it matters that we have a heroic black man like Antoine Triplett, who is a legacy, and another heroic black man like Sam Wilson, who is a genuinely good man that is trusted by Captain America; it matters that we have a complicated, morally ambiguous black man like Nick Fury who can be fearless and vulnerable and a father figure to Natasha Romanoff; it matters that we get a mixed-race character like Raina who has her own motivations and complex morality; it matters that we have someone like Mike Peterson, who has been kidnapped by Hydra and forced to do evil with threats to his life and his son’s life, but he clearly doesn’t want to, and it eats away at him every time he has to do it.
You cannot take race out of it, especially when the default hero is a straight white man, and you have been trained your whole life to automatically be sympathetic and understanding of white male characters. You cannot pretend that a character being white and male does not have a significant impact on the way you relate to him, and the way you relate to the rest of the cast.
It has a significant impact or people still wouldn’t be arguing that Sam and Trip could be Hydra, despite all evidence to the contrary.
Very important
Canadian music festival takes huge step against Native appropriation
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From their announcement:
For various reasons, Bass Coast Festival is banning feathered war bonnets, or anything resembling them, onsite. Our security team will be enforcing this policy.
We understand why people are attracted to war bonnets. They have a magnificent aesthetic. But their spiritual, cultural and aesthetic significance cannot be separated.
Bass Coast Festival takes place on indigenous land and we respect the dignity of aboriginal people. We have consulted with aboriginal people in British Columbia on this issue and we feel our policy aligns with their views and wishes regarding the subject. Their opinion is what matters to us.



